Arjun Rampal Quotes
India needs a change - it cannot be ruled by 80-year-olds and by people who have done nothing for it.
Quotes to Explore
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I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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I like talking one-on-one to everyone. I find it really sort of cathartic and interesting to hear people's opinions.
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Everything's always about being homogenized and following in a group. The people who stand out always have the most problems.
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My father in the film - which we probably haven't seen in previous movies, and in British Asian movies you could probably count on one hand - he says exactly why, actually why he's frightened for his daughter. He came to this country, England, and had a bit of a crappy time.
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People are really talkative in New York. Someone always comes up to me and says 'Hi' during the day.
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Border strengthening is effective, but not if done in isolation. We also need to give priority to establishing public institutions that deliver a sustained level of security and justice for citizens. Border security can never come at the expense of migrants' rights. Nor can it be used to legitimize inhumane treatment.
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Bad company is like a nail driven into a post, which, after the first and second blow, may be drawn out with little difficulty; but being once driven up to the head, the pincers cannot take hold to draw it out, but which can only be done by the destruction of the wood.
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I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
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Our teachers are operating just as effective leaders in the business world do. They set a vision that most people think is crazy. They convince the kids why it's important to accomplish the goal. And they are totally relentless.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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I'm not very cool. I have a really hard time meeting people and stuff.
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I'm fascinated by the capacity to be able to do harm. I struggle every day with the ability of people to do evil. Not just the big things - the petty things that people do in order to make someone feel small, when it's so easy to do, and it hurts so much.
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Who is that person that comes around and says, 'You are OK, you are worthy, you are special?' That makes all the difference in the world for many of us. Those are the people we appreciate the most.
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I think music should be experienced by people all ages.
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At least international media can see how I am trying to change the typical orthodox mindset of people who don't want to come out of their shells of false beliefs and old practices.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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I didn't really experience any hardship like people tend to think of when they hear the words 'Detroit, Michigan.' I think Big Sean is a much better ambassador for the city.
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I can tell you exactly where the economy is going. It's going to China, Honduras, Guatemala, Cambodia, Vietnam, Cipan, and any other place where you can pay people peanuts and have them work like dogs.
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And it's interesting, but I'm always interested in the story behind the story.
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In terms of the organic feel and the love for noises, I definitely feel more connected to Four Tet and Fennesz, as any dance floor artist. I do like some dancey stuff like Martyn when I DJ, but I draw my inspiration from other things.
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Autobiographies, for the most part, to me, are like writing a love letter to yourself.
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India needs a change - it cannot be ruled by 80-year-olds and by people who have done nothing for it.
