Armando Iannucci Quotes
When I started off, I always used to do parodies and impressions, mimicking people... and then institutions. You become aware that some institutions have their own language. You almost define yourself by how you speak.
Quotes to Explore
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You must remind yourself at all times that the golf ball is nothing. It's an object. It's something to be swatted and sometimes lost and not even looked for.
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Do you follow American politics? They hate Obama. Hate him. He's a black man. That's what it is: it's racist. This guy is no bleeding-heart liberal. He's a centrist.
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When I was in school, there was no such thing as girls' athletics.
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We do not yet have the solutions to these questions, but the awareness that we live in an endangered world is present in more and more life situations.
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The Irish do not want anyone to wish them well; they want everyone to wish their enemies ill.
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Go for it now. The future is promised to no one.
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Right now I'm so old that if I had a big gush of money, I don't know what I'd do with it. I don't travel anymore. I don't need anything, don't want anything. I'd give it to my son, I guess, and let him enjoy it.
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All of world's eyes are trained on the Games. So winning at that stage is heroic. It is a different feeling altogether and cannot be explained in words.
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A stronger yuan could lead to greater Chinese asset accumulation in the U.S. and elsewhere.
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I learned that we can do anything, but we can't do everything... at least not at the same time. So think of your priorities not in terms of what activities you do, but when you do them. Timing is everything.
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Anybody that's been in an election, you're always looking to get the upper hand.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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It's an honor to live in and serve the great City of Los Angeles. I'm also immensely grateful for the support I've received from Ireland.
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Millions of people gave their lives fighting fascism and imperialism, but Pearl Harbor was the event that forever changed the course of human history.
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What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
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A sociopath doesn't warm up their environment, doesn't make it cozy. They don't have to; when they're not performing, when they're not manipulating, when they're all alone, there's nothing.
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I appreciate the constant evolution in refining food, but not in making food gimmicky.
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Only in spontaneity can we be who we truly are.
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Margaret had close links with Geneva where she had spent some years as a student while her parents had been wardens of the Quaker Hostel there and where she had gone back as secretary to Gilbert Murray.
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I'm very attracted to schematic structures. My brother is a chemical engineer, he has a very mathematical mind, and he's also a visual artist. I think we have a lot in common. And my first film had a very tight structure, narratively.
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I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.
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I just think a lot of people don't give credit to EDM producers or DJs. People think they're just button pushers and just get on stage and don't really perform.
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When I was a child, I used to paint intently. The older I become, and the closer death approaches, the brighter my life gets day by day.
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When I started off, I always used to do parodies and impressions, mimicking people... and then institutions. You become aware that some institutions have their own language. You almost define yourself by how you speak.
