Marcel Duchamp Quotes
Consequently, in the chain of reactions accompanying the creative act, a link is missing. This gap which represents the inability of the artist to express fully his intention, this difference between what he intended to realize and did realize, is the personal 'art coefficient', contained in the work.
Quotes to Explore
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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We are asleep with compasses in our hands.
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Though it has plenty of competitors, Slack claims to be the 'fastest growing business application in history'.
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I know you can be up one minute and drop the next, so I'm trying to maintain a steady course so I can have some longevity.
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I only got interested in radio once I talked my way into an internship at NPR's headquarters in Washington, D.C. in 1978, never having heard the network on the air.
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I don't care about the quality of the film as a whole, but I loved 'Salt.' I loved it!
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I love reading religious authors. Especially in the sort of circle I move in, people tend to be more secular, and I love reading books by just really smart people of religious faith. It's always a really cool perspective.
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There is small risk a general will be regarded with contempt by those he leads, if, whatever he may have to preach, he shows himself best able to perform.
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The best philosophers were not academics, but had another job, so their philosophy was not corrupted by careerism.
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God takes care of imbeciles, little children and artists.
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I am a self-critical perfectionist.
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I ate better in Liberia than I did in Ohio.
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But what I'm very interested in, whether it's writing, whether it's hosting a show, whether it's cooking food, I'm just into the discussions of identity, culture and the politics of culture.
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I definitely want to be an inspiration or a role model for all the little girls out there or anyone out there that wants to break stereotypes. I feel like I'm breaking stereotypes with what I'm doing. I'm not the typical fighter, and there's a lot of people out there that won't do something just because they don't fit the stereotype.
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The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.
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The truth about filmmaking is you have all these ideas and you're trying to convince everybody that they should buy into this idea, but at two o'clock in the morning when you're all on your own you're going, 'Geez, I hope I know what I'm doing. I hope this idea is gonna work.'
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When I was seventeen, I worked as a counsellor at a co-ed sleep-away camp for eight weeks. I loved it but it could be harrowing - it was far too much responsibility for someone my age.
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I really don't have an ear for pitch. I can't sing at all, I can't hum melodies and I can't write riffs.
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One hates to be absolute, but in my view, there is no such thing as humane meat.
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To make flexibility work, it is not only necessary to change our attitude about who is a good worker and who is not, but we have to train managers at all levels to recognize the difference between the number of hours worked and the quality of work produced.
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Falling down became second nature and it really didn't bother me.
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It took me 20 years of making movies to learn how to do it.
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Consequently, in the chain of reactions accompanying the creative act, a link is missing. This gap which represents the inability of the artist to express fully his intention, this difference between what he intended to realize and did realize, is the personal 'art coefficient', contained in the work.
