Marcel Proust Quotes
The artist who gives up an hour of work for an hour of conversation with a friend knows that he is sacrificing a reality for something that does not exist (our friends being friends only in the light of an agreeable folly which travels with us through life and to which we readily accommodate ourselves, but which at the bottom of our hearts we know to be no more reasonable than the delusion of the man who talks to the furniture because he believes that it is alive.).
Quotes to Explore
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I got an offer in 1992 to buy a major-league team. I turned down the offer because I don't want my love of the game to involve business.
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I'm not into things that feel like a sequel. There's just something magical about when something happens for the first time.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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I always start my campaigns early, and I run hard. Maybe it comes from the rough-and-tumble world of San Francisco politics, where it's not even a contact sport - it's a blood sport. This is how I am as a candidate. This is how I run campaigns.
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That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
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I probably follow all sports a little bit. I like hockey quite a bit. I like football. I like college basketball when it gets down to March Madness. I like baseball. I enjoy them all. I watch them all.
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I cannot even remember a time before being conscious of James Bond.
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We're not trying to reinvent the wheel; for any environmental organization to claim sole responsibility for any kind of victory is insane, because everybody attacks these problems as a group.
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Basically, particularly in Britain, it's a hegemonic thing that people who write tend to come from the leisure classes. They can afford the time and the books.
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Ember Moon is extremely talented, and Daria, from Tough Enough, she's very unique and cool. The fans are going to get behind her. As for Asuka, she is phenomenal.
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I don't really get stuck in a time warp where, if my film is a success, I have to keep partying till the next one releases, or if my film is a flop, I keep wallowing in sorrow until the next comes my way. My hard work in each film is always there.
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If you think you're free, there's no escape possible.
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If you can't describe what you are doing as a process, you don't know what you're doing.
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As a player, you just want to focus on controlling the controllables.
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I've been through a lot. I've thought a lot about life, and I've spent a lot of time studying history and science.
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Some people have been talking about - every place I go, they bring up the issue of foreign aid. I go, 'You can't get rid of all foreign aid.'
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It is much easier to show compassion to animals. They are never wicked.
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I'm not very good at sticking at things if I can't be successful at them. I gave up on sport a long time ago.
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If you hold back in hurdles, you are going to fall over.
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I don't aspire to just play things that are like me. Whether the accent is Taiwanese or British or Canadian - that is the very craft in which I was trained. It is my absolute privilege and honor to do that.
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Every show is unique; some shows have the master plan and have everything figured out and that's just the way they do things. It's like high school. Some people write their papers the second they get their assignments, and some people write it the day after it's due.
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Would I love to run around and check out if Jennifer Aniston was looking for a boyfriend? Yeah, it would be interesting for a minute. But would I trade in my life to get her and Angelina [Jolie]? No way. I've got something better. And I don't need the neuroses of two type-A personalities in my life. One is enough.
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One of the great liabilities of history is that all too many people fail to remain awake through great periods of social change.
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The artist who gives up an hour of work for an hour of conversation with a friend knows that he is sacrificing a reality for something that does not exist (our friends being friends only in the light of an agreeable folly which travels with us through life and to which we readily accommodate ourselves, but which at the bottom of our hearts we know to be no more reasonable than the delusion of the man who talks to the furniture because he believes that it is alive.).
