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It is desire that engenders belief and if we fail as a rule to take this into account, it is because most of the desires that create beliefs end only with our own life.
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Most of our faculties lie dormant because they can rely upon Habit, which knows what there is to be done and has no need of their services.
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Lies are essential to humanity. They are perhaps as important as the pursuit of pleasure and moreover are dictated by that pursuit.
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The facts of life do not penetrate to the sphere in which our beliefs are cherished; they did not engender those beliefs, and they are powerless to destroy them.
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The duty and the task of a writer are those of an interpreter.
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For although we know that the years pass, that youth gives way to old age, that fortunes and thrones crumble (even the most solid among them) and that fame is transitory, the manner in which—by means of a sort of snapshot—we take cognisance of this moving universe whirled along by Time, has the contrary effect of immobilising it.
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Through art alone are we able to emerge from ourselves, to know what another person sees of a universe which is not the same as our own and of which, without art, the landscapes would remain as unknown to us as those that may exist on the moon.
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In reality, in love there is a permanent suffering which joy neutralizes, renders virtual delays, but which can at any moment become what it would have become long earlier if one had not obtained what one wanted – atrocious.
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Perfume is that last and best reserve of the past, the one which when all out tears have run dry, can make us cry again!
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None of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call "seeing a person we know" is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part.
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She's got feet like boats, whiskers like an American, and her undies are filthy.
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Time, which changes people, does not alter the image we have retained of them.
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Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.
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Our passions shape our books, repose writes them in the intervals.
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For what we suppose to be our love or our jealousy is never a single, continuous and indivisible passion. It is composed of an infinity of successive loves, of different jealousies, each of which is ephemeral, although by their uninterrupted multiplicity they give us the impression of continuity, the illusion of unity.
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When we have passed a certain age, the soul of the child that we were and the souls of the dead from whom we sprang come and shower upon us their riches and their spells, asking to be allowed to contribute to the new emotions which we feel and in which, erasing their former image, we recast them in an original creation.
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The bonds that unite us to another human being are sanctified when he or she adopts the same point of view as ourselves in judging one of our imperfections.
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The loss of a sense adds as much beauty to the world as its acquisition.
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The inertia of the mind urges it to slide down the easy slope of imagination, rather than to climb the steep slope of introspection.
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We must love men more than things, and I admire and weep more for the soldiers than for the churches which were only the recording of an heroic gesture which today is reenacted at every moment.
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Love...., ever unsatisfied, lives always in the moment that is about to come.
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A sleeping man holds in a circle around him the thread of the hours, the order of years and of worlds. He consults them instinctively upon awaking and in one second reads in them the point of the earth that he occupies, the time past until his arousal; but their ranks can be mingled or broken.
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How else learn the real, if not by inventing what might lie outside it?
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Everybody calls "clear" those ideas which have the same degree of confusion as his own.