Marcel Proust Quotes
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Beautiful books are always written in a sort of foreign language.
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Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether it is called Rembrandt or Vermeer, send us still each one its special radiance.
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In a language known to us, we have substituted the opacity of the sounds with the transparence of the ideas. But a language we donot know is a closed place in which the one we love can deceive us, making us, locked outside and convulsed in our impotence, incapable of seeing or preventing anything.
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These dreams reminded me that, since I wished some day to become a writer, it was high time to decide what sort of books I was going to write. But as soon as I asked myself the question, and tried to discover some subject to which I could impart a philosophical significance of infinite value, my mind would stop like a clock, my consciousness would be faced with a blank, I would feel either that I was wholly devoid of talent or perhaps that some malady of the brain was hindering its development.
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A certain similarity exists, although the type evolves, between all the women we love, a similarity that is due to the fixity of our own temperament, which it is that chooses them, eliminating all those who would not be at once our opposite and our complement, fitted that is to say to gratify our senses and to wring our heart.
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If a little dreaming is dangerous, the cure for it is not to dream less but to dream more, to dream all the time.
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When we build ... let it not be for present delights nor for present use alone. Let it be such work as our descendants will thank us for, and let us think ... that a time is to come when these stones will be held sacred because our hands have touched them, and that men will say as they look upon the labor, and the wrought substance of them, See! This our fathers did for us!
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Our desires cut across one another, and in this confused existence it is rare for happiness to coincide with the desire that clamoured for it.
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I should have been happy: I wasn’t.
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Masterpieces are no more than the shipwrecked flotsam of great minds.
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The moments of the past do not remain still; they retain in our memory the motion which drew them towards the future, towards a future which has itself become the past, and draw us on in their train.
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So long as I know what's boiling in my pot I don't bother my head about what's in other people's.
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We ought at least, from prudence, never to speak of ourselves, because that is a subject on which we may be sure that other people's views are never in accordance with our own.
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We construct our lives for one person, and when at length it is ready to receive her that person does not come; presently she is dead to us, and we live on, prisoners within the walls which were intended only for her.
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That which we remember of our conduct is ignored by our closest neighbour; but that which we have forgotten having said, or even what we never said, will cause laughter even into the next world.
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Everything that seems imperishable tends to extinguishment.
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None of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call "seeing a person we know" is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part.
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Through art alone are we able to emerge from ourselves, to know what another person sees of a universe which is not the same as our own and of which, without art, the landscapes would remain as unknown to us as those that may exist on the moon.
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In theory one is aware that the earth revolves, but in practice one does not perceive it, the ground upon which one treads seems not to move, and one can live undisturbed. So it is with Time in one's life.
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In reality, in love there is a permanent suffering which joy neutralizes, renders virtual delays, but which can at any moment become what it would have become long earlier if one had not obtained what one wanted – atrocious.
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An hour is not merely an hour, it is a vase full of scents and sounds and projects and climates.
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When we have passed a certain age, the soul of the child that we were and the souls of the dead from whom we sprang come and shower upon us their riches and their spells, asking to be allowed to contribute to the new emotions which we feel and in which, erasing their former image, we recast them in an original creation.
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Until I saw Chardin's painting, I never realized how much beauty lay around me in my parents' house, in the half-cleared table, in the corner of a tablecloth left awry, in the knife beside the empty oyster shell.
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One reads the papers as one wants to with a bandage over one's eyes without trying to understand the facts, listening to the soothing words of the editor as to the words of one s mistress.