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Until I saw Chardin's painting, I never realized how much beauty lay around me in my parents' house, in the half-cleared table, in the corner of a tablecloth left awry, in the knife beside the empty oyster shell.
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Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
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The reason why a work of genius is not easily admired from the first is that the man who has created it is extraordinary, that few other men resemble him. It is his work itself that, by fertilising the rare minds capable of understanding it, will make them increase and multiply.
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In theory one is aware that the earth revolves, but in practice one does not perceive it, the ground upon which one treads seems not to move, and one can live undisturbed. So it is with Time in one's life.
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A certain similarity exists, although the type evolves, between all the women we love, a similarity that is due to the fixity of our own temperament, which it is that chooses them, eliminating all those who would not be at once our opposite and our complement, fitted that is to say to gratify our senses and to wring our heart.
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One reads the papers as one wants to with a bandage over one's eyes without trying to understand the facts, listening to the soothing words of the editor as to the words of one s mistress.
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Everything that seems imperishable tends to extinguishment.
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Our desires cut across one another, and in this confused existence it is rare for happiness to coincide with the desire that clamoured for it.
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That which we remember of our conduct is ignored by our closest neighbour; but that which we have forgotten having said, or even what we never said, will cause laughter even into the next world.
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We construct our lives for one person, and when at length it is ready to receive her that person does not come; presently she is dead to us, and we live on, prisoners within the walls which were intended only for her.
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Sometimes in the afternoon sky the moon would pass white as a cloud, furtive, lusterless, like an actress who does not have to perform yet and who, from the audience, in street clothes, watches the other actors for a moment, making herself inconspicuous, not wanting anyone to pay attention to her.
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Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years.
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The moments of the past do not remain still; they retain in our memory the motion which drew them towards the future, towards a future which has itself become the past, and draw us on in their train.
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Masterpieces are no more than the shipwrecked flotsam of great minds.
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When we build ... let it not be for present delights nor for present use alone. Let it be such work as our descendants will thank us for, and let us think ... that a time is to come when these stones will be held sacred because our hands have touched them, and that men will say as they look upon the labor, and the wrought substance of them, See! This our fathers did for us!
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Autrefois on rêvait de posséder le cœur de la femme dont on était amoureux; plus tard sentir qu’on possède le cœur d’une femme peut suffire à vous en rendre amoureux.
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Every kiss provokes another. Oh, in those earliest days of love how naturally the kisses spring to life! So closely, in their profusion, do they crowd together that lovers would find it as hard to count the kisses exchanged in an hour as to count the flowers in a meadow in May.
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Beautiful books are always written in a sort of foreign language.
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We ought at least, from prudence, never to speak of ourselves, because that is a subject on which we may be sure that other people's views are never in accordance with our own.
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It seems that certain transcendental realities emit rays to which the masses are sensitive. That is how, for example, when an event takes place, when at the front an army is in danger, or defeated, or victorious, the rather obscure news which the cultivated man does not quite understand, excite in the masses an emotion which surprises him and in which, once the experts have informed him of the actual military situation, he recognizes the populace's perception of that "aura" surrounding great events and visible for hundreds of kilometers.
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Happiness serves hardly any other purpose than to make unhappiness possible.
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There are people whose faces assume an unaccustomed beauty and majesty the moment they cease to look out of their eyes.
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It is desire that engenders belief and if we fail as a rule to take this into account, it is because most of the desires that create beliefs end only with our own life.
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An hour is not merely an hour, it is a vase full of scents and sounds and projects and climates.