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People who, not being in love themselves, feel that a clever man should only be unhappy about a person who is worth his while; which is rather like being astonished that anyone should condescend to die of cholera at the bidding of so insignificant a creature as the comma bacillus.
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It is not because other people are dead that our affection for them grows faint, it is because we ourselves are dying.
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Perhaps it is not-being that is the true state, and all our dream of life is inexistent; but, if so, we feel that these phrases of music, these conceptions which exist in relation to our dream, must be nothing either. We shall perish, but we have as hostages these divine captives who will follow and share our fate. And death in their company is somehow less bitter, less inglorious, perhaps even less probable.
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Reading is at the threshold of spiritual life; it can introduce us to it; it does not constitute it. There are, however, certain cases, certain pathological cases, so to speak, of spiritual depression in which reading can become a sort of curative discipline and assume the task, through repeated stimulation, of continuously reintroducing a lazy mind into the life of the spirit.
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Even though our lives wander, our memories remain in one place.
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Our passions shape our books, repose writes them in the intervals.
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It is the tragedy of other people that they are to us merely showcases for the very perishable collections of our own mind.
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The highest praise of God consists in the denial of him by the atheist who finds creation so perfect that it can dispense with a creator.
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It comes so soon, the moment when there is nothing left to wait for.
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There is in this world in which everything wears out, everything perishes, one thing that crumbles into dust, that destroys itself still more completely, leaving behind still fewer traces of itself than Beauty: namely Grief.
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I have a horror of sunsets; they're so romantic, so operatic.
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The past not merely is not fugitive, it remains present.
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The character we exhibit in the latter half of our life need not necessarily be, though it often is, our original character, developed further, dried up, exaggerated, or diminished. It can be its exact opposite, like a suit worn inside out.
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Pleasures are like photographs: in the presence of the person we love, we take only negatives, which we develop later, at home, when we have at our disposal once more our inner dark room, the door of which it is strictly forbidden to open while others are present.
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Every kiss provokes another. Oh, in those earliest days of love how naturally the kisses spring to life! So closely, in their profusion, do they crowd together that lovers would find it as hard to count the kisses exchanged in an hour as to count the flowers in a meadow in May.
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Now are the woods all black, But still the sky is blue.
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It is the wicked deception of love that it begins by making us dwell not upon a woman in the outside world but upon a doll inside our head, the only woman who is always available in fact, the only one we shall ever possess, whom the arbitrary nature of memory, almost as absolute as that of the imagination, may have made as different from the real woman as the real Balbec had been from the Balbec I imagined- a dummy creation that little by little, to our own detriment, we shall force the real woman to resemble.
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Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether it is called Rembrandt or Vermeer, send us still each one its special radiance.
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I should have been happy: I wasn’t.
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Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
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Most of our faculties lie dormant because they can rely upon Habit, which knows what there is to be done and has no need of their services.
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Beautiful books are always written in a sort of foreign language.
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One reads the papers as one wants to with a bandage over one's eyes without trying to understand the facts, listening to the soothing words of the editor as to the words of one s mistress.
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These dreams reminded me that, since I wished some day to become a writer, it was high time to decide what sort of books I was going to write. But as soon as I asked myself the question, and tried to discover some subject to which I could impart a philosophical significance of infinite value, my mind would stop like a clock, my consciousness would be faced with a blank, I would feel either that I was wholly devoid of talent or perhaps that some malady of the brain was hindering its development.