Marcel Proust Quotes
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It is not because other people are dead that our affection for them grows faint, it is because we ourselves are dying.
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Most of the supposed expressions of our feelings merely relieve us of them by drawing them out of us in an indistinct form that does not teach us to know them.
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We can sometimes find a person again, but we cannot abolish time. And so on until the unforeseen day, gloomy as a winter night, when one no longer seeks that girl, or any other, when to find her would actually scare one. For one no longer feels that one has attractions enough to please, or strength enough to love. Not, of course, that one is in the strict sense of the word impotent. And as for loving, one would love more than ever. But one feels that it is too big an undertaking for the little strength one has left.
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If, I can someday see M. Claude Monet's garden, I feel sure that I shall see something that is not so much a garden of flowers as of colours and tones, less an old-fashioned flower garden than a colour garden, so to speak, one that achieves an effect not entirely nature's, because it was planted so that only the flowers with matching colours will bloom at the same time, harmonized in an infinite stretch of blue or pink.
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We pack the physical outline of the creature we see with all the ideas we have already formed about him, and in the complete picture of him we compose in our minds those ideas have certainly the principal place.
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No doubt very few people understand the purely subjective nature of the phenomenon that we call love, or how it creates, so to speak, a supplementary person, distinct from the person whom the world knows by the same name, a person most of whose constituent elements are derived from ourselves.
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It is always during a passing state of mind that we make lasting resolutions.
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Our intonations contain our philosophy of life, what each of us is constantly telling himself about things.
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And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) of which we have no inkling. And it depends on chance whether or not we come upon this object before we ourselves must die.
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Fashions, being themselves begotten of the desire for change, are quick to change also.
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The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.
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On ne guérit d'une souffrance qu'à condition de l'éprouver pleinement.
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A powerful idea communicates some of its strength to him who challenges it.
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Our intellect is not the most subtle, the most powerful, the most appropriate, instrument for revealing the truth. It is life that, little by little, example by example, permits us to see that what is most important to our heart, or to our mind, is learned not by reasoning but through other agencies. Then it is that the intellect, observing their superiority, abdicates its control to them upon reasoned grounds and agrees to become their collaborator and lackey.
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The paradoxes of today are the prejudices of tomorrow, since the most benighted and the most deplorable prejudices have had their moment of novelty when fashion lent them its fragile grace.
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An hour is not merely an hour, it is a vase full of scents and sounds and projects and climates.
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When we build ... let it not be for present delights nor for present use alone. Let it be such work as our descendants will thank us for, and let us think ... that a time is to come when these stones will be held sacred because our hands have touched them, and that men will say as they look upon the labor, and the wrought substance of them, See! This our fathers did for us!
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The places we have known do not belong solely to the world of space in which we situate them for our greater convenience. They were only a thin slice among contiguous impressions which formed our life at that time; the memory of a certain image is but regret for a certain moment; and houses, roads, avenues are as fleeting, alas, as the years.
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I understood that all the material of a literary work was in my past life, I understood that I had acquired it in the midst of frivolous amusements, in idleness, in tenderness and in pain, stored up by me without my divining its destination or even its survival, as the seed has in reserve all the ingredients which will nourish the plant.
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A little tap at the window, as though some missile had struck it, followed by a plentiful, falling sound, as light, though, as if a shower of sand were being sprinkled from a window overhead; then the fall spread, took on an order, a rhythm, became liquid, loud, drumming, musical, innumerable, universal. It was the rain.
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All our final decisions are made in a state of mind that is not going to last.
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A powerful idea communicates some of its power to the man who contradicts it. Partaking of the universal community of minds, it infiltrates, grafts itself on to, the mind of him who it refutes, among other contiguous ideas, with the aid of which, counter-attacking, he complements and corrects it; so that the final verdict is always to some extent the work of both parties to a discussion.
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A work should convey its entire meaning by itself, imposing it on the spectator even before he knows what the subject is.
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The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we do with great artists; with artists like these we do really fly from star to star.