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The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we do with great artists; with artists like these we do really fly from star to star.
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The truth is that every morning war is declared afresh. And the men who wish to continue it are as guilty as the men who began it, more guilty perhaps, for the latter perhaps did not foresee all its horrors.
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A powerful idea communicates some of its power to the man who contradicts it. Partaking of the universal community of minds, it infiltrates, grafts itself on to, the mind of him who it refutes, among other contiguous ideas, with the aid of which, counter-attacking, he complements and corrects it; so that the final verdict is always to some extent the work of both parties to a discussion.
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A powerful idea communicates some of its strength to him who challenges it.
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All our final decisions are made in a state of mind that is not going to last.
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The features of our face are hardly more than gestures which force of habit has made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph, has arrested us in an accustomed movement.
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The places we have known do not belong solely to the world of space in which we situate them for our greater convenience. They were only a thin slice among contiguous impressions which formed our life at that time; the memory of a certain image is but regret for a certain moment; and houses, roads, avenues are as fleeting, alas, as the years.
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A language which we do not know is a fortress sealed.
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A little tap at the window, as though some missile had struck it, followed by a plentiful, falling sound, as light, though, as if a shower of sand were being sprinkled from a window overhead; then the fall spread, took on an order, a rhythm, became liquid, loud, drumming, musical, innumerable, universal. It was the rain.
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A work should convey its entire meaning by itself, imposing it on the spectator even before he knows what the subject is.
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And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) of which we have no inkling. And it depends on chance whether or not we come upon this object before we ourselves must die.
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We are less justified in saying that the thinking life of humanity is a miraculous perfectioning of animal and physical life than that it is an imperfection in the organization of spiritual life as rudimentary as the communal existence of protozoa in colonies.
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I understood that all the material of a literary work was in my past life, I understood that I had acquired it in the midst of frivolous amusements, in idleness, in tenderness and in pain, stored up by me without my divining its destination or even its survival, as the seed has in reserve all the ingredients which will nourish the plant.
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Fashions, being themselves begotten of the desire for change, are quick to change also.
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On ne guérit d'une souffrance qu'à condition de l'éprouver pleinement.
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It is always during a passing state of mind that we make lasting resolutions.
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The bonds that unite another person to our self exist only in our mind.
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Our intonations contain our philosophy of life, what each of us is constantly telling himself about things.
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The fact of the matter is that, since we are determined always to keep our feelings to ourselves, we have never given any thought to the manner in which we should express them. And suddenly there is within us a strange and obscene animal making itself heard, whose tones may inspire as much alarm in the person who receives the involuntary, elliptical and almost irresistible communication of one's defect or vice as would the sudden avowal indirectly and outlandishly proffered by a criminal who can no longer refrain from confessing to a murder of which one had never imagined him to be guilty.
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Habit is, of all the plants of human growth, the one that has the least need of nutritious soil in order to live, and is the first to appear on the most seemingly barren rock.
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The thirst for something other than what we have…to bring something new, even if it is worse, some emotion, some sorrow; when our sensibility, which happiness has silenced like an idle harp, wants to resonate under some hand, even a rough one, and even if it might be broken by it.
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But to ask pity of our body is like discoursing in front of an octopus, for which our words can have no more meaning than the sound of the tides, and with which we should be appalled to find ourselves condemned to live.
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Certainly, it is more reasonable to devote one's life to women than to postage stamps or old snuff-boxes, even to pictures or statues. But the example of other collections should be a warning to us to diversify, to have not one woman only but several.
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Having a body is in itself the greatest threat to the mind... The body encloses the mind in a fortress; before long the mind is besieged on all sides, and in the end the mind has to give itself up.