Marcel Proust Quotes
Quotes to Explore
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I really like the power of stopping the laughter and turning it to horror.
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I think female-centric films shouldn't be only about thriller or horror. Angelina Jolie has been doing all kinds of stuff.
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I remember we would get young, aspiring actors to come on '77 Sunset Strip' - I remember George Kennedy was one of those - and they would do a big guest star part, a lead, and they'd be paid maybe $850.
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I love horror movies.
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All that we see or seem is but a dream within a dream.
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I don't know if it's possible to live the rock 'n roll lifestyle and still be romantic.
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I am such a diehard romantic. I guess a part of me thinks I am Juliet.
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I've always loved the language of flowers. I discovered Kate Greenaway's 'Language of Flowers' in a used bookstore when I was 16 and couldn't believe it was such a well-kept secret. How could something so beautiful and romantic be virtually unknown?
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I love stories with love in them. I just prefer those films. Every so often, I come across a film where there's no love story. It doesn't have to be romantic, but there's a lack of love, and I don't get that.
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I'm a bit of a romantic. In theory!
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Movies are romantic fantasies.
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I was pleasantly disappointed on entering Bohemia. Instead of a dull, uninteresting country, as I expected, it is a land full of the most lovely scenery. There is every thing which can gratify the eye - high blue mountains, valleys of the sweetest pastoral look and romantic old ruins.
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One of the prettiest sounds on Earth at sunset.
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The State is a jealous God and will brook no rivals. Its sovereignty must pervade everyone and all feeling must be run into the stereotyped forms of romantic patriotic militarism which is the traditional expression of the State herd-feeling.
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Money is the necessity that frees us from necessity. Of all novelists in any country, Trollope best understands the role of money. Compared with him even Balzac is a romantic.
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Perhaps I've been perceived more as a romantic comedy actor, but overall, I enjoy acting in any shape or form.
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I want to do all kinds of things. I want to do some comedy. I'd love to do a romantic comedy, and I'd love to do some period pieces with classical text. I'd love somebody to cast me as Macbeth, but for a film. I just want to be all over the place.
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I want to make hand-held music, undiminished by the need to make everybody in the world listen at once. The goal is to ride into the sunset, stereo blasting, and all of what's got you worried will disappear in the rear view mirror!
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I'm not romantic, and I don't like Christmas.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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My aunt in Knoxville would bring newspapers up, which we used for toilet paper. Before we used it, we'd look at the pictures.
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I think there's an assumption when you have a parent in the business that you're given some kind of a cheat sheet at an early age. Some kind of upper hand or some kind of advanced understanding of how the whole thing functions - maybe how to operate within it. I never felt I received that cheat sheet and grew up pretty removed from the business.
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And you know, these things don't last forever.' I know, Mandy. Nothing does.' That's the spirit.
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I have a horror of sunsets; they're so romantic, so operatic.
