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I'm not proud to be me, I'm not excited to be me, but I find that I am me, and like most other individuals, I send out little signals; I tell everyone else how everything looks from where I am.
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I don't have a television, and I'm just not too up on television.
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I led the life of an intellectual up until a certain age. I remember Freud's 'Interpretation of Dreams' was a big favorite when I was 11. It sounded so interesting. And it really was!
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For me, a play is a form of writing which isn't complete until it is interpreted by actors. But it's still a form of writing. And so most of my time is spent thinking about how to write a sentence.
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I know that I am one and I've made a living as an actor and I enjoy being an actor, but when I'm not actually doing it, I forget that I do it.
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Acting is an escape from the boring person that I am in real life.
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The life of an actor can be very enviable.
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It is hard enough to make a plan for how you are going to spend an evening with somebody else. So to make a plan for how you are going to behave in 25 years seems based on a view of life that is incomprehensible to me.
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I'm afraid that the passage of time is mostly lost on me. If you were to open up my head you would see that I'm still brooding about statements, songs and issues from the third grade. The years between 1980 and today went by very, very quickly.
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I don't see that many plays, and for me, musicals are rarely pleasing.
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My plays have been strange from the beginning, and they never got unstrange.
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I see myself as a citizen of the planet. Even as a child, I always found it mindless to root for your own team. I was puzzled by the fact that people said their own team was better than other teams simply because it was theirs.
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When I was first exposed to the films of Ingmar Bergman, I found them frank and disturbing portraits of the world we live in, but that was not something that displeased me. They were beautiful. I thought people would respond to my plays the way I responded to Bergman's films.
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I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
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I was making my living from a joke about my appearance that I didn't understand, and in a way still don't, because when I look in a mirror it doesn't seem funny to me.
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As writers, we can't predict who might come along who might find our offerings valuable.
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I sincerely believe that if Bush and Cheney recognized the full humanity of other people's mothers around the world, they wouldn't commit the crimes they commit.
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There's nothing regular about my life at all, really. I don't keep a regular schedule and every day is different. It's all rather chaotic.
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Children, I always think, are just putting on a performance of being naive and not understanding anything. I have worked with children in films, and they're treated as adults and they just drop the pretense of being children.
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I wrote my first play at the age of 10, 55 years ago, and I've always found it a fantastic relief to imagine I know what things would be like from the point of view of other individuals and to send out signals from where I actually am not. Playwrights never need to write from the place where they are.
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I don't happen to have a sense of humor personally, so I don't know what's funny about a character... This happens to be a feature of my life generally.
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'The Princess Bride' is by far the most popular film I've ever done. I don't think I'll ever top it.
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I have more free time than a lot of individuals, so, instead of talking, I sometimes write.
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I'm a very lucky man. It's a beautiful thing for a writer, to see people allowing your words to enter their own unconscious and their souls.