Edwin Hubbell Chapin Quotes
The night comes for the purpose of checking our busy employment, and introducing an interval of repose between the links of our action and our aspiration. It draws its dim curtain around the field of toil. It buries the objects of our handiwork in darkness, and involves them with uncertainty. It comes to the relief of the exhausted body and the tired brain. Our powers, harmonizing with the diurnal revolutions of the earth, fail with the failing light, and a merciful Providence casts around us this mantle of shadow, and snatches us from our occupation.
Quotes to Explore
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Some people ask me, Do they put aging makeup on you? It's just this very nice street makeup.
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Nuclear power is not a miracle key for the future.
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But what I really like are old Hollywood movies. Very often I watch AMC.
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The biggest critics of my books are people who never read them.
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The glorification of sisters, mothers as the selfless Indian women who will do 'agni pariksha' and the one who sees her own betterment only in the betterment of their husbands and fathers, that has to stop. It's very regressive.
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Sometimes, poor people don't smell too good, so love can have no nose.
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I always think I love work, and I knew early on that I wanted to be an actress. Then I meet people who have truly dedicated their lives to acting, and I realise that I'm so completely in the back seat.
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Não tenho ambições nem desejosSer poeta não é uma ambição minhaÉ a minha maneira de estar sozinho.
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I may not always love you But long as there are stars above you You never need to doubt it I'll make you so sure about it God only knows what I'd be without you…
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In the '90s there were these great end of the world movies like 'Armageddon' and 'Deep Impact'... I always liked the idea of what people on the ground are doing, not so much the people who are trying to stop the world from ending.
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About every four years, someone says to me, 'I've got a friend who looks exactly like you.' What can you say to this?
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I want to be competitive; I want to run all over - I want to win.
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For some reason, I'm constantly attacked on social media in terms of how I dress. I've never understood that. That's been very hard.
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One of the first things a British visitor to Southern California discovers is that he must have a car. Freeways. Bad public transport. I took driving lessons.
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I think I have stopped being nervous about the outcome of a film. The five consecutive flops in 1997 and the five consecutive hits in 1999 have mellowed me in many ways.
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I think England has served me very well. I like living in London for the reasons I gave. I have absolutely no intentions of cutting those ties. There is absolutely no reason to do so. Certainly not, so that I can have a swimming pool and a palm tree.
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I am saying voluntarily that I have sung for almost every religious group in the country, from Jewish and Catholic, and Presbyterian and Holy Rollers and Revival Churches, and I do this voluntarily.
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My goals are so high that I don't have time to relax in any way, shape or form.
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I wrote a play for Miu Miu called 'The Moment Is the Present, That's Why It's Called a Gift.' Instead of doing a catwalk show, all the actors wore the clothes and performed a 20-minute play.
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What more chilling indictment of the modern world is there than this: that the condition of the smartphone user is that of a dumb animal. Moooo!
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There was this darkness about being from New Jersey.
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A people [America] that does not prepare to fight should then be morally prepared to surrender. To fail to prepare soldiers and citizens for limited, bloody ground action, and then to engage in it, is folly verging on the criminal.
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The way I play, it's very much more a mental game than a physical game. I'm looking for space and where are players leaving space. Defensively, where are we at numerical disadvantages? Do I shift more to the left because they have more players on their right side? It's about reading the game before the game happens.
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The night comes for the purpose of checking our busy employment, and introducing an interval of repose between the links of our action and our aspiration. It draws its dim curtain around the field of toil. It buries the objects of our handiwork in darkness, and involves them with uncertainty. It comes to the relief of the exhausted body and the tired brain. Our powers, harmonizing with the diurnal revolutions of the earth, fail with the failing light, and a merciful Providence casts around us this mantle of shadow, and snatches us from our occupation.
