Eileen Myles Quotes
I didn't know how to write a novel, so I sort of let it happen in waves. The only way I could write it was to think like scenes in a movie.

Quotes to Explore
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I believe in the institution of marriage and it's like a tag to cement the relationship for your friends, family and public.
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Elvis was a big influence to my music, but Loretta Lynn was, as well.
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I'm not a monarchist. But I'm English. And I have an irrational emotion for my country.
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Life is so fast these days, and we're exposed to so much information. Television makes us a witness to such misery.
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Investing in gold is one of the wisest decisions that you can make as an investor.
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Human faces shouldn't get lost amid the statistics.
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I loved being in Bombay. It was a pretty thrilling place to walk around and explore.
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I would say that to put architecture in the chain of history, to be able to interpret and understand why we are where we are, is quite crucial.
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At times it is folly to hasten at other times, to delay. The wise do everything in its proper time.
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If you can turn your wants into your needs, you can do anything.
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Being a musician, it's my job to be real and be true to whoever I am. Hopefully that will inspire other people. I hope it inspires people to be themselves and be comfortable in your own skin.
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I don't want to get fat.
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Let not the 12 million Negroes be ashamed of the fact that they are the grandchildren of slaves. There is dishonor in being slave-owners.
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I never participated in far-reaching political decisions, since I never belonged to the circle of the closest associates of Adolf Hitler, neither was I consulted by Adolf Hitler on general political questions, nor did I ever take part in conferences about such problems.
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In the '80s, I got tired of the rat race. It was a terrible time for music. I wasn't part of that whole MTV craze. I did 'Go Ahead and Rain,' which was Madeleine Stowe's first bit, but felt no connection to it. I went many years where I didn't have to work.
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'Great Expectations' has been described as 'Dickens's harshest indictment of society.' Which it is. After all, it's about money. About not having enough money; about the fever of the getting of money; about having too much money; about the taint of money.
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In giving freedom to the slave, we assure freedom to the free - honorable alike in that we give and what we preserve. We shall nobly save, or meanly lose, the last best hope of earth.
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I don't really watch all that much television, I have to say, because I'm so intimidated by how many channels there are. I really cannot find my way back to anything. But I'm compulsively addicted to '24.' I love that show.
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Having such a diverse cast and crew is what makes the 'Fast & Furious' films so unique to all the other studio tent pole films that just have a very singular look to them.
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There's nothing like sitting in a completely quiet room, and then the strings start up. It's like when you go to the cinema - the first two or three minutes of any film are amazing. Because the screen is so big. The scale. Directors can pretty much do anything for those first few minutes.
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I knew Marilyn over a two-year period. I met her first on a movie called 'Let's Make Love.' I photographed her at that time on and off through the time of her death. I was 22 years old and she was 34 or 35.
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Certainly our gay and lesbian brothers and sisters need to be supported in living out their call to holiness.
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I was always snobby about soap operas, and commercials, too, but one does have to eat. I remember auditioning for a commercial for a mouthwash or chewing gum or something, and I had to pretend to be the back end of somebody in a horse costume. After that, I said, 'That's it. That's it. You've sunk too far!'
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I didn't know how to write a novel, so I sort of let it happen in waves. The only way I could write it was to think like scenes in a movie.