Elaine Stritch Quotes
Quotes to Explore
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The only thing I have learnt over the years is that if you enjoy your work and put in the best efforts, it will show. If you follow this process, things work out. But if you go chasing a formula, success will elude you.
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I met wonderful people playing in the NBA. Whether it is the officials, the scorekeepers, all the people who work for the NBA, not just for the Lakers, but I'm talking about just for the league itself.
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I have an issue with rage. I'm going to work that out, long term.
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You know, if you look all my stuff... If you go back to 'Saturday Night Live,' my stuff always has music, even a bunch of my comedy stuff - like in 'Shrek,' the donkey is always singing. Music is always there.
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Trust and value your own divinity as well as your connection to nature. Seeing God's work everywhere will be your reward.
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When I hit my 20s, I took a chill pill and relaxed because throughout my teens I was churning out an album a year. It was a treadmill of work then recording, promoting and touring.
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I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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I retire every time I'm done with a movie. Then I go back. You know, I enjoy sleep. But I love to work; it's fun for me. As long as it continues to be fun, and I'm tolerated by the people around me, I will do it.
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I got to work with legendary director Garry Marshall.
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That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
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No man is a success in business unless he loves his work.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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I was raised to want to work for a living. The idea of just sitting around or going shopping every day appalls me.
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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I've got pretty good knowledge about pass rushing. But I know I have a lot to work on.
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Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
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I'm smart enough to know to work with smart people.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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My interest was always to do interdisciplinary work with space. I thought of architecture as one strand in a multimedia practice.
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I have discovered that we may be in some degree whatever character we choose. Besides, practice forms a man to anything.
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The Moving Finger writes; and, having writ, Moves on: nor all your Piety nor Wit Shall lure it back to cancel half a Line, Nor all your Tears wash out a Word of it.
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It can be difficult to be subtle and not cartoony in prosthetics. But when you see characters like Bubbles and Desiree from 'Little Britain' on screen, it makes all the hard work worth it. It's such fun watching those transformations.
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I've learned very, very, very clearly that money does not equal happiness or security, either.
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When I'm playing comedy, it is such a crap shoot of what will work and what won't.
