Elayne Boosler Quotes
Wouldn't it be great if you could only get AIDS by giving money to television preachers?
Quotes to Explore
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I like films to be complete in their written form.
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We've learned a lot about how information needs to flow effectively amongst a group of people. They need to be fed information, and it needs to be on this constant conveyor belt.
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When you're bullied in high school, even if it's the smallest amount, or you're actually tortured, I feel like everybody carries that with them. They always think of that one person who treated them badly in high school.
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Being evil is easy.
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The reason a poet is a poet is to write poems, not to advertise himself as a poet.
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I suppose I often think of my writing as quite impersonal. But it turned out, when my father died, writing was exactly what I wanted to do.
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I have written a lot about the fine arts, but I'd never written about the literary arts, and so on some level Dante really, you know, spoke to me, as new ground but also familiar ground.
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Kids are taking music for free all the time. They have Spotify, Pandora... The record companies aren't making the kind of music that they used to make. Artists make their money on tours, not from album sales.
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After seeing 'Big,' I wanted an elevator that opened directly into my apartment, just like Tom Hanks did.
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I've been fortunate to be working mostly right out of school. Every year, there was a little something, and it kept the confidence going. It's about confidence and the belief.
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You'd think after 8 years of things called 'The Patriot Act' and 'No Child Left Behind' they would know that we have figured out the 'Call it what it ain't' PR ploy by now, but... um... no.
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I was always used to being centre stage - something that had its good and bad points.
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Don't feel sorry for me. I've had a great life, great friends.
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I grew up in Hollywood during WWII, and my mother was afraid that my father was going to be drafted because she didn't think we were going to be able to live on army pay. She didn't want to have to get a job, so she decided to put me to work, and that's how I got started in the movies.
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They are more beautiful than anything in the world, kinetic sculptures, perfect form in motion.
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I received a call from Jets general manager Mike Tannenbaum and head coach Eric Mangini. They asked me if I was ready to become a New York Jet. I quickly answered 'yes' and began to hug everyone at the table.
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A film set is the most comfortable place I could be in the world; that's what I know.
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I always knew where I was going eventually, so it helped me to stay at home for three years. It helped me to develop my game. But it also helped me off the ice. Life here is way different, and I was able to get older.
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People, who accused me of practising a monopoly were wrong. The media fuelled rumours about my 'monopoly.' The first question I was always asked during interviews was about my supposed monopoly.
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I had this idea that I wanted to do this mixture of visions of African American women and visions of African American men. And call it 'The Men' and call it 'The Women' and show different faces of these two people.
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I'm not one of those people who can cry on cue. If I have to cry in an audition, I'm like, 'Okay, let me see what I can do.'
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My family traveled a lot. For a while we even lived in a trailer and traveled from campground to campground. If we got to eat at the Cheesecake Factory, it was the highlight of our whole year! But I don't miss having to share a bathroom with seven people or having powdered milk with my cereal. It was so nasty.
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'Wet Hot American Summer' was sort of lowbrow genius, you know? But smart in its cultish silliness. It wasn't considered something of great cultural caliber. But like many cult pieces, it sort of became something culturally relevant, which I think is what's so wonderful about it.
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Wouldn't it be great if you could only get AIDS by giving money to television preachers?
