Marco Beltrami Quotes
I sort of enjoy being able to hear what other composers are doing and how they might score something differently than me. I enjoy that part.
Quotes to Explore
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I was not so committed to financial success that I was willing to abandon my principles and priorities. One of the most visible examples of this is our decision to close on Sunday.
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A stale article, if you dip it in a good, warm, sunny smile, will go off better than a fresh one that you've scowled upon.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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Human affairs are not serious, but they have to be taken seriously.
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During the civilisation and development process of more than 5,000 years, the Chinese nation has made an indelible contribution to the civilisation and advancement of mankind.
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I love cooking and baking.
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In my experience an appreciative letter from a fellow writer means a lot.
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I used to joke that I came to England - not to the U.S. where most Koreans go - because I like Arthur Conan Doyle and Agatha Christie.
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I looked at Mick Jagger and Keith Richards and the boys up there thinking, I want to be that.
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I've always found it very sanitary to be broke.
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Truth comes to us mediated by human love.
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There is no such thing as being too independent.
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Not everybody is a great rapper; not everybody lives for the art of lyricism.
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As a kid, my grandma would be dancing all the time.
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Acting was always my unscratched itch, when I was in college and even afterwards.
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Many people find themselves with illness as they become successful: higher blood pressure and diabetes.
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The fact that logic cannot satisfy us awakens an almost insatiable hunger for the irrational.
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I like to look strong and commanding.
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I was so overprotected, I used to think I was as delicate as people said I was.
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I always maintain that artists do not have any responsibility to do anything except cause no harm and do whatever we want to do as artists.
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You've got to be all-in on this sport; you can't be one foot out the door.
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I wanted to avoid all that literary stuff. I didn't want the self pity of 'The Portrait,' all the moaning and the whingeing. I'm not knocking Joyce: we all owe him a debt. He's the one who made so much possible.
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I sort of enjoy being able to hear what other composers are doing and how they might score something differently than me. I enjoy that part.
