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I like female characters that are strong in their own right and not because the author said so.
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I'm not at all upset to be considered a crime novelist. But for me, it's never really about the crime or the violence. I'm much more interested in exploring issues.
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In 1791, the right to bear arms to defend against an over-reaching government wasn't theoretical. Today, it's hard to imagine physical weapons serving the same purpose. But it's easy to see how hacktivists might - especially if you broaden the opponents to include hate groups and rapacious multinationals.
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As an author, it's a strange process to watch your novel turned into a movie. It's tremendously exciting but somewhat voyeuristic; after all, novelists are rarely involved in the process.
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The thing I'm always trying to do when I write is hit that sweet spot where the book both keeps you up late at night, and yet a week after you've finished, it still pops back into your head.
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My novels are never directly based on a true crime incident, but I want to get the details right. I want to know how homicide detectives think, what a SWAT team might do to prepare.
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Nobody is accidentally in Alaska. The people who are in Alaska are there because they choose to be, so they've sort of got a real frontier ethic. The people are incredibly friendly, interesting, smart people - but they also stay out of each other's business.
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I've always been fascinated by mythology or, in modern parlance, by X-Men or vampires.