Maren Morris Quotes
Quotes to Explore
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It's different for every song. But for 'Say Something,' I think it was Chad who had an idea on guitar, and I had an idea on piano for different songs, and we just married them together. We bounce things off each other constantly and kind of massage all these ideas into a three and a half minute pop song.
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There's so many confusing messages that you're being sent about being pretty but not too pretty, smart but not too smart, ambitious but in a way that makes people comfortable. It's very hard to navigate.
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I've always liked street lights, and I've always photographed them. I probably have a collection of two to three thousand photographs of them, just around the city, mainly at night.
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I love cycling.
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Cable news is more titillating to talk about who's up and who's down and all that nonsense as opposed to what's actually done.
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Ohio has long been an embarrassment to charter-school supporters nationwide, with its trail of scandal and graft and abysmal student performance.
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It would be nice to be on the charts again, nice to be recognised.
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You don't move just because you want to go from this point to that point - the body has to be using the words as well as you vocally use the words.
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There's a generative material relationship between the material and the image that comes up.
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People make mistakes. They say stupid things.
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I love watching action. I remember watching Angelina Jolie in 'Tomb Raider,' and I was like 'Wow, it's so cool when a girl can go around and kick butt.'
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Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
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There's some quality you get when you're not totally comfortable. When you're not doing what you're used to, you could completely fall on your face. You could completely blow it.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them.
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Yoga carves you into a different person - and that is satisfying physically.
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I'm not afraid of heights. I rock climb. I can repel off the side of a building.
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I think the reaction to a World War II situation would be the same today as it was in 1942. Initially, people would question, but once patriotism got stirred up, the whole thing would gather momentum and we'd all pull together.
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The strips about the military do seem to provoke moving and thoughtful responses. It's nice when the strip resonates, but more importantly, I need to know when I'm getting something wrong. The last thing I want to do is contribute to the suffering that wounded warriors already endure.
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I have never felt the constraints of social acceptability.
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I've always been open about my life not because my story is unique, but because it isn't.
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Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience.
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I do read P.D. James because she pays much more attention to character, to a particular atmosphere or setting. But most mystery writers, I think, are controlled by the plot.
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I love dry British humor. I love to sketch in my off time. I love tequila.
