Maren Morris Quotes
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That's the whole point is just to bring people together in a really positive way and laugh together and cry together and just be connected through a simple thing of a few chords.
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You can't be rolling into town with stars in your eyes. A lot of people get to Nashville and immediately start selling themselves: 'Let's go to lunch and talk about the business!' Then you realize everyone is talented here.
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Obviously, writing together is very intimate because it's sort of acting where you need to get to a really deep place to get the most emotional song.
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I'm just so used to music videos or live TV, so to really see something that's scripted and you have to do it over and over again to get every angle - it's fascinating to me. I would love to do a little acting.
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It's not my aim to be this, like, 'savior for females.' I just want to make good music.
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A lot of new artists, especially girl artists, feel pressure to be so 'media perfect' and 'trained.' I'm intelligent, but I don't like hearing regurgitated answers in interviews that sound so rehearsed.
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My scope on what's good is if I like it. The first person I have to please is myself.
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The songwriting community in Nashville really is all about your talent. It's not about your image, and you have to be humble. You have to be kind. You have to have zero ego when you walk into that writing room.
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I feel like it's improving a little bit as we go on, but I've never been to Lilith Fair. It always seemed so cool that it was started by women, for women, and it was a safe place to go and hear all of your favorite female acts in one space.
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When I was touring in Texas, that was before iPods and Spotify. Driving around through towns, I had to, out of necessity, scroll the radio. Whatever region of the country you are in, that's a great way to find out what they listen to. You find music wherever you are, and that becomes the soundtrack for whatever your road trip is.
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It's hard to say exactly when it all started or what show it was, but I started touring when I was 11. I played all over Dallas and Fort Worth, and eventually I was touring the whole state.
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I'm not trying to dog any artist or genre, but to me, there is a lot of diversity missing from the radio. I miss turning the radio on and getting punched in the soul with a great lyric.
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The support I've had from home has made it so much more fun to put music out.
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I love all types of music, and I think the genre lines are starting to get thinner every year.
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I love pop music, I love country music.
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Being on the stage is the one place I don't get nervous. Before the show is another story, but once I'm up there, and the first chord hits, I go to this other place. It's like a dream land.
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As a songwriter, I listen to everything to be inspired... from Rihanna to Bruno Mars to Springsteen to Johnny Cash.
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There's no grace period between album one and album two.
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I'm not this bright-eyed 17-year-old that got signed to a label and is listening to all these suits tell them the best plan of action.
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I wanted to become a better songwriter, so it seemed like a no-brainer to move to Nashville, where some of the best writers in the world live.
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I've learned how to be a better performer on stage and interact with the fans, make it feel like a collective experience more than just me singing songs on a stage and feeling really detached.
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I didn't grow up around a lot of souped-up automobiles. I love my Prius.
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When I look at most lineups, especially in country, women are definitely lacking in numbers.
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I internalize a lot of thoughts, and sometimes it seems like I'm not listening or totally zoned out, but I'm always on a loop of ideas and song titles. I'm definitely kind of a space cadet, but I'm very laid back.