Maren Morris Quotes
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I think more guys should wake up and realize we're equal. You don't have to take care of me.
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There are the aesthetic pressures for a woman to be pretty and sexy, but not sexual or have desires beyond winning a guy's affections.
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The art of songwriting is just stumbling your way to something really special, and you don't know what you're going to write until you are writing it. There is no formula. And, sometimes, you really have to work at it and hunker down.
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I think I just knew in my head there was something special about 'My Church,' and getting to accept a Grammy for it was just proof that I made the right decision.
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I love dry British humor. I love to sketch in my off time. I love tequila.
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My songs have some street talk in them, but that's the way I talk and the way a lot of people I know talk.
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I learned to write from different points of view and not just something I would say.
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I feel like when I get into most rooms, melodies come really easily to me, and they sound good in my head. I never really know until I hear the song back and it's finished if it actually is good.
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I always get less nervous when we get into rehearsals because it just gives me a better idea of how it's gonna go.
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It's a pipe dream, but for me, I've always wanted a Tesla. I would never have to go to a gas station.
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I drive to clear my mind, like many people do. It's like, once you get in the car, whatever song you put on, it's so symbiotic. Your mood could change in a second.
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I care about women's rights and reproductive rights and my gay friends being able to keep their marriages official. You don't want your genre to disown you for it - and I don't think they would now - but you still see that sort of hatred and vitriol that comes with disagreeing with the conservative agenda.
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They say it can all change with one song, and in my case, that rings very true, I was shocked that it happened this quickly.
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I have a Prius, but I'd love to have a white convertible like Richard Gere's in 'American Gigolo.'
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I think I've learned how to be a better boss. I'm the one running the show now, and in the past, I've always kind of been looking at other people to make the decisions. I feel more confident to run not just my show, but behind the scenes, too.
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Don't forget to celebrate. When I was first coming up, everything was so serious - we were always rushing to get to the next thing - that we didn't take the time to say, 'Man, look what we did just now.'
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As a songwriter, I feel like, just for inspiration and research purposes, I have to listen to everything.
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A lot of new artists sign their deal and then go into a development stage for a year or two or sometimes never get out of it. For me, because I had been a working songwriter in town, I had a collection of songs that I was ready to make into an album. At the time, I didn't realize it was becoming an album, but it was.
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When you walk off the stage, I think the end point is that you enjoyed yourself. I get to say that almost every time - either I made a few new fans or something resonated.
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Being the everyman in the writing room helps a lot: you have to be a real collaborator and selfless, and not have ego when you walk in there. That's the antithesis of the artist mentality.
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I don't know if there's something in the water in Texas, but there's a lot of us really ballsy women that have something to say.
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It definitely is an ice breaker going into the awards already having one, and it was just so crazy when I heard I did win because I was in London at the time, and we were doing a festival out there, and my manager was like, 'You just won an ACM.' And I was like, 'How? It's so early!'
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The songs will come as they come, and I'm excited because I haven't gotten to be really creative in a while. I'm excited to get back and do what I do and just write a song.
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I'm not in the teenybopper bracket, and I'm not in the 30-plus bracket. The fan response has been really widespread, age-wise.