Maren Morris Quotes
Being the everyman in the writing room helps a lot: you have to be a real collaborator and selfless, and not have ego when you walk in there. That's the antithesis of the artist mentality.
Quotes to Explore
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Life consists in what a man is thinking of all day.
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Making music is pretty much the only thing I can do.
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Many artists and writers have used cannabis for creative stimulation - from the writers of the world's religious masterpieces to our most irreverent satirists.
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I am more afraid of those who are terrified of the devil than I am of the devil himself.
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I have a vast curiosity about our universe, our origins, and its probable future.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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Confidence is key. Sometimes, you need to look like you're confident even when you're not.
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For a long time I have been thinking about affordable fashion - you can be disappointed when not so many people can wear your stuff.
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Humans are insane. We kill our own people, starve our own people, sell them, work them to death, beat them, don't give them affordable/free/good healthcare, and let them live in misery, while a few of us have - we have all we want. We are evil.
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It's very likely that I will finish my career as Swiss national coach.
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Real Madrid is the most important thing that happened to me, both as a footballer and as a person.
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I just always wanted to be left alone to go into a creative space.
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I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.
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I could battle rap forever, but it's a joke to me.
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I didn't just get to 75 years by tiptoeing. I had to work hard sometimes.
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If the constitution goes, I go.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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'Mahershala' is my nickname.
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I don't think I went a year or so without a record between 1959 and 1979, sometimes two.
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I think we will become disenchanted with the glamour of globalization.
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Novelists get to say plenty in their massive tomes; rock singers only get four-minute songs with two verses and a chorus' worth of lyrics, and so there's a real pleasure in accessing the intelligence behind the music, even if it doesn't qualify as 'great literature.'
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When I was thinking about what we could do in terms of what production values of Broadway might be able to add to the show, I had this thought that it would be really cool if we had a coup de théâtre. What would they want? And then I was like, an amazing, enormous tuna puppet that was like 30 by 40 feet would be pretty incredible. So I called up Basil Twist, and he got really excited immediately and started sketching out his idea, and I think it's a real highlight of the show.
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In the end all books are written for your friends. The problem after writing One Hundred Years of Solitude was that now I no longer know whom of the millions of readers I am writing for; this upsets and inhibits me. It's like a million eyes are looking at you and you don't really know what they think.
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Being the everyman in the writing room helps a lot: you have to be a real collaborator and selfless, and not have ego when you walk in there. That's the antithesis of the artist mentality.
