Elena Satine Quotes
Quotes to Explore
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We continue to be bullish on China.
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As a very young girl, I understood that the interior activities of the home are as significant as the exterior activities of society.
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Stereotypes lose their power when the world is found to be more complex than the stereotype would suggest. When we learn that individuals do not fit the group stereotype, then it begins to fall apart.
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Very much alone in my work, I am almost jealous of it.
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With a poetry book I can send 100 copies out to reviewers and other people, and even do it in advance and get their response. It's difficult with iPad: how do you send it out for free, and how do you even disseminate it before it goes into their store?
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Without stirring abroad, One can know the whole world; Without looking out of the window One can see the way of heaven. The further one goes The less one knows.
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I think that in the discussion of natural problems we ought to begin not with the Scriptures, but with experiments, and demonstrations.
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I vowed to myself when I got married that I would cook every night. I find it very therapeutic.
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I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
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One important theme is the extent to which one can ever correct an error, especially outside any frame of religious forgiveness. All of us have done something we regret – how we manage to remove that from our conscience, or whether that's even possible, interested me.
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If you come every day or every month to my studio, you won't see that much change, but if you come once a year, you'll see big new categories opened up.
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It's brutal out on the football field.
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Good tests kill flawed theories; we remain alive to guess again.
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The significance and volume of repairs that are needed across the country demand that we give state and local governments the long-term certainty they need to effectively execute these projects.
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Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
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I've seen a fair bit of the States and the rest of the world, and I'm convinced that there's nowhere I'd be happier, there's nowhere I'm missing out on because I'm in N.Y.
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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One thing I have been banging on about, we have a dessert deficit in the U.K. We still import a very large proportion of our desserts. I would ask everyone to go out and buy a British dessert.
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Growing up, my two favorite books were Woody Allen's 'Side Effects' and Phyllis Diller's 'Housekeeping Hints.' I carried that Phyllis Diller book with me everywhere when I was in fifth or sixth grade. Eventually, it just fell apart.
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Good music is very close to primitive language.
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Sometimes I just wonder if I'm being led by variety. If one film leads me down one path, sometimes I just want to turn around and head the opposite way for the next project. I hope that's not the case, but sometimes I suspect that.
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When I'm playing a character like Jonathan in Ripley's Game I want to be in the moment when he's feeling pain; this very ordinary person who finds himself in extraordinary circumstances.
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L.A. is such a car-driven city, and it's great to see so many people - I think people are hungry to get on their bikes and get out of their cars and get off of oil and save money and save the environment.
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I just love scary stuff! I'm a huge horror buff.