Elena Satine Quotes
Quotes to Explore
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We continue to be bullish on China.
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As a very young girl, I understood that the interior activities of the home are as significant as the exterior activities of society.
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Stereotypes lose their power when the world is found to be more complex than the stereotype would suggest. When we learn that individuals do not fit the group stereotype, then it begins to fall apart.
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Very much alone in my work, I am almost jealous of it.
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With a poetry book I can send 100 copies out to reviewers and other people, and even do it in advance and get their response. It's difficult with iPad: how do you send it out for free, and how do you even disseminate it before it goes into their store?
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Without stirring abroad, One can know the whole world; Without looking out of the window One can see the way of heaven. The further one goes The less one knows.
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I think that in the discussion of natural problems we ought to begin not with the Scriptures, but with experiments, and demonstrations.
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I vowed to myself when I got married that I would cook every night. I find it very therapeutic.
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I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
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One important theme is the extent to which one can ever correct an error, especially outside any frame of religious forgiveness. All of us have done something we regret – how we manage to remove that from our conscience, or whether that's even possible, interested me.
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If you come every day or every month to my studio, you won't see that much change, but if you come once a year, you'll see big new categories opened up.
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It's brutal out on the football field.
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Good tests kill flawed theories; we remain alive to guess again.
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The significance and volume of repairs that are needed across the country demand that we give state and local governments the long-term certainty they need to effectively execute these projects.
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Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
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I've seen a fair bit of the States and the rest of the world, and I'm convinced that there's nowhere I'd be happier, there's nowhere I'm missing out on because I'm in N.Y.
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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One thing I have been banging on about, we have a dessert deficit in the U.K. We still import a very large proportion of our desserts. I would ask everyone to go out and buy a British dessert.
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The last three films I've done are about self-immolation.
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What could be more beautiful than a dear old lady growing wise with age? Every age can be enchanting, provided you live within it.
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Hope is paltry food for living.
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People in misery is what most important in art.
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I used to run away to New York from Baltimore all the time. I would get on the Greyhound bus and tell my parents I was going to some sorority weekend... I'd even make up fake permission slips, come to New York, and just ask people on the street if I could stay with them and go see midnight movies.
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I just love scary stuff! I'm a huge horror buff.
