Elia Kazan Quotes
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Truth gets buried, that's why people write autobiographies.
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The real challenge is not simply to survive. Hell, anyone can do that. It’s to survive as yourself, undiminished.
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Never underestimate the narcissism of a writer.
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I would rather do what I did than crawl in front of a ritualistic Left and lie the way those other comrades did betray my own soul.
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The thing about Brando was that I'd make these directions, and he'd walk away. He'd heard enough... to get the machine going.
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I may be getting old, but not foolish.
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I was an outsider... but I was also sympathetic with people that were struggling to get up, because I struggled to get up.
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Look for the contradictions in every character, especially in your heroes and villains. No one should be what they first seem to be. Surprise the audience.
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The only guy who was at all helpful as a producer was Sam Spiegel with On the Waterfront. He's one of the few who even knows what he's doing.
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Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit.
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Whatever hysteria exists is inflamed by mystery, suspicion and secrecy. Hard and exact facts will cool it.
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With kids you can take a chance but casting a guy at 45 is different. You don't discover somebody that age. If an actor hasn't made it by that time he probably has no talent.
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He carried with him the aura of a prophet, a magician, a witch doctor, a psychoanalyst, and a feared father of a Jewish home.... He was the force that held the thirty-odd members of the theatre together, and made them permanent.
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The thing with films is that you have to make something that will get people out of their houses, away from the TV set. You must touch people, say something. Otherwise, they'll stay at home.
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A good director's not sure when he gets on the set what he's going to do.
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I will say nothing to an actor that cannot be translated into action.
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The Communists automatically violated the daily practices of democracy to which I was accustomed.
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The more ambivalent you are and the more uncertain you are, then you can get something that you cannot anticipate.
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The essence of the stage is concentration and penetration. Of the screen action, movement, sweep.
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I have no spy stories to tell, because I saw no spies. Nor did I understand, at that time, any opposition between American and Russian national interest.