Margaret Fuller Quotes
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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Somebody was asking me the other day - President Bush is now talking about freedom for the Arab world. I say, well, that's great. I was talking about that fifty years ago.
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My brother is the former mayor of Baltimore.
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I don't pretend to be anything but an actor and a writer.
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It is absolutely critical for competitiveness in the United States for us to really raise the bar in education, especially in math, in science, in technology.
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Service to others seems the only intelligent choice for the use of wealth.
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My number one thing is to recycle everything from newspaper to aluminum cans, and I even use a canvas bag instead of the plastic ones when I go to the grocery store.
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I've bought some Lanvin snake-print wedges, so maybe you'll see me pushing the pram in those and my hotpants!
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I really don't believe in magic.
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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I don't care about the quality of the film as a whole, but I loved 'Salt.' I loved it!
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The most interesting thing about a postage stamp is the persistence with which it sticks to its job.
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My main concern is meeting with public because my main commitment, main interest is promotion of human value, human affection, compassion and religious harmony.
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I thoroughly enjoy working with kids, whether it's The First Tee or the lesson tee with my grandkids.
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I don't see myself as a diva at all.
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Public opinion is a permeating influence, and it exacts obedience to itself; it requires us to drink other men's thoughts, to speak other men's words, to follow other men's habits.
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Those boos really motivate me to make something happen.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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The storyline of a fantasy novel is filled with such a sense of enchantment, beauty and strangeness; it allows the writer to explore the big ontological questions of life that would sound like a sermon in a social realist novel.
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I get even more nervous singing when everyone's fallen silent, but I really try to communicate the meaning of the lyrics, and there's people there listening to that, and if they're moved by it, then I'm moved as well.
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And I think, What’s the opposite of suffocation?
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'Every drama school in the country turned me down, and so I was lucky to study drama at all, even if it was lowly Birmingham University. But even when I came out with my degree, my mother promptly insisted I go straight to secretarial college to have something to fall back on, just in case – which didn’t exactly fill me with confidence.'
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Very often, I think about the people that I represent. I meet people who have thousands and thousands of employees and millions and millions of customers - and also make a lot of money. But I think about the millions of Europeans that I represent in order to try to balance that so we can meet on more equal terms.
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The use of criticism, in periodical writing, is to sift, not to stamp a work.
