Elif Safak Quotes
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Politicians and leaders who see the media as 'the enemy within' divide society into two clashing cultural camps. Populist demagogues benefit from binary oppositions.
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Writing in another language gives me an additional freedom, an additional way of thinking. It's a challenge, but I like the challenge.
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When I looked at people like Goya and Pina Bausch, the message I got was just do what you're passionate about. Don't think about what other people are going to say or how they're going to receive your work. Just be your work.
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For me, writing stories is one way of feeling connected to the universe and God.
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English, for me, is an acquired language. I started with English at the age of 10. At the time, it was my third language.
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I spent my entire childhood observing people. I still do.
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I write as if I were drunk. It is a process of intuition rather than placing myself above my story like a puppeteer pulling strings. For me, it's a scary, chaotic process over which I have little control. Words demand other words, characters resist me.
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There are two different ways of writing a novel. The first I call the traditional father way, when the novelist slightly situates himself or herself above the text and knows what each and every character is going to do. It's a bit like engineering. I've never felt close to that tradition. I like the second way, which relies a bit more on intuition.
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I like to question cultural biases wherever I go, and I question Islamophobia as much as I question anti-western sentiment because I think all extremist ideologies are very similar.
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Turkey is a complex country. Most readers are women, of all generations, and they are passionate about books. However, the written culture is mostly patriarchal. In general, men write; women read. I would like to see this pattern changing. More women should write novels, poems, plays, and hopefully, more men will read fiction.
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The only way to learn writing is by writing. Talent, as charming as it sounds, amounts to no more than 12 per cent of the process. Work is 80 per cent. The remaining 8 per cent is 'luck' or 'zeitgeist' - in short, things that are not in our hands.
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I love commuting between languages just like I love commuting between cultures and cities.
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My readers are surprisingly mixed. I have conservative readers - for instance, women with headscarves - but also many liberal, leftist, feminist, nihilist, environmentalist, and secularist readers. Next to those are mystics, agnostics, Kurds, Turks, Alevis, Sunnis, gays, housewives, and businesswomen.
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Bad writing is like a bad relationship. Don't be addicted to it just because you are familiar with its ways. Let go.
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God is the biggest storyteller, and when we create stories, we connect with him and with each other across cultural, religious and gender boundaries.
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I write my novels in English first; then they are translated into Turkish by professional translators. Then I take their translation and rewrite. So basically, I write the same novel twice.
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Art and literature should help us to get out of our mental cocoons.
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Writing is a tribute to solitude. It is choosing introversion over extroversion, lonely hours/days/weeks/years over fun and sociability.
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I was in Madrid as a young girl and a teenager. I'll never forget when I went to the Prado Museum for the first time and saw the paintings of Goya. They had such a big impact on me.
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When I was 10 years old, we moved to Spain with my mother. I learned Spanish before I learned English. But the English language stayed with me.
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We need a dose of doubt and a dose of faith, to challenge each other.
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With 'The Forty Rules of Love,' I wanted to write a love story. But I wanted a love story with a spiritual dimension. For me, that took me to Rumi. And from Rumi, I went to Shams of Tabriz. That's how the story took shape.
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It is tiring to be Turkish. The country is badly polarised, bitterly politicized. Every writer, journalist, poet knows that because of an article, a novel, an interview, a poem or a tweet you can be sued, put on trial, even arrested. Self-censorship is widespread.
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If you are a writer from Turkey, Pakistan, Nigeria, Egypt, you don't have the luxury of being apolitical. You can't say, 'That's politics. I'm just doing my work.'