Ben Crenshaw Quotes
I know most players do, but I always keep both eyes opened. I still do it. I see two shafts, the real one and the transparent one. I look for what's on the inside edge of the transparent one.
Quotes to Explore
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In politics people give you what they think you deserve and deny you what they think you want.
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With every bathroom renovation, there are three areas that I focus on: budget, function and style.
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I've never been far from the river. I'm sort of like a Thames-nymph.
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If some people have the belief or view that the Dalai Lama has some miracle power, that's totally nonsense.
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Stories about the ongoing dramas in our lives as we age are not being told because women find it difficult to be honest about what's going on - about, for example, our heightened sexuality as we age or about living in a society that only values youth.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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There's a time and place for everything. You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.
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It was a movement that had all the art critics, all the museum directors in its thrall.
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There is a lot of opportunity sitting in global healthcare business. I think there is a strong opportunity to build upon for further growth.
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I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
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I'll promise to go easier on drinking and to get to bed earlier, but not for you, fifty thousand dollars, or two-hundred and fifty thousand dollars will I give up women. They're too much fun.
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The relationship between ARMgold and Harmony continues to develop and grow.
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I changed that system in Florida when I was the Speaker of the House - I was the Minority Leader; I saw for 16 years the way a power system works.
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I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.
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I'm definitely not a super great guitarist. Ultimately, I just write a lot of love songs.
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I got into retailing because I wanted a real job.
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I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
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I can't wait to get my face lifted but my husband says, 'No, don't do it.' I think if it makes you feel better, go for it, but it would be nice if it looked good. There are a lot of people out there who are disasters and you think, 'Why did you do that?'
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I've had loss in my life, and I like to think my mother's energy lives on in some faintly Buddhist way. I do find some comfort there.
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My job was to find interesting material that would give us a quality television show.
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We live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups. I ask, in my writing, 'What is real?' Because unceasingly we are bombarded with pseudo realities manufactured by very sophisticated people using very sophisticated electronic mechanisms.
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Round numbers are always false.
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You make a film and you don't know who it's going to appeal to.
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I know most players do, but I always keep both eyes opened. I still do it. I see two shafts, the real one and the transparent one. I look for what's on the inside edge of the transparent one.
