Arnaud Desplechin Quotes
Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare... As if it was the best way to tell the truth about characters or narration, instead of realism.
Quotes to Explore
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In America, there's a failure to appreciate Europe's leading role in the world.
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Through a painting we can see the whole world.
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In the 1970s in New York, everyone slept till noon. It was a grungy, dangerous, bankrupt city without normal services most of the time. The garbage piled up and stank during long strikes by the sanitation workers. A major blackout led to days and days of looting. The city seemed either frightening or risible to the rest of the nation.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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It just seemed like an unattainable dream to go down to Los Angeles and to land a professional working, acting gig on a show that you really love with a character you really connect with. That doesn't seem possible; that seems insane.
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Research indicates that employees have three prime needs: Interesting work, recognition for doing a good job, and being let in on things that are going on in the company.
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We are all dreamers creating the next world, the next beautiful world for ourselves and for our children.
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Being right half the time beats being half-right all the time.
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No one who is in this world will deny that evils exist. What, then, do we say? That evil is not a living and animated substance, but a condition of the soul which is opposed to virtue and which springs up In the slothful because of their falling away from good.
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The United States was the first country in the history of the world to be consciously created out of an idea - and the idea was liberty.
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Betty White is a riot. She is a good time! That is the bottom line: Betty White is a good time. She is really an incredible woman. She is so kind. She doesn't have one mean bone in her body, and she is the funniest woman in the room always. And you'll never hear one complaint from her.
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I don't think I'll ever want to do pop music. I think I'll only ever want to do classical crossover because it's something that I love, and pop just doesn't work for me.
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I always say that people should not rush to change religions. There is real value in finding the spiritual resources you need in your home religion.
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Would this country be better off if no one drank? Yes, it would be, but we tried that; it doesn't work. I don't want to tell anybody that they can't have as many drinks as they want every single night of the week as long as they don't get behind the wheel of a car.
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When I did 'Don't Look Back,' I no longer had Time-Life looking over my shoulder, so I could kind of do it as I wanted, and it was like I was really correcting 'Jane.'
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'The Driver' wasn't commercially successful at the time, but when I was a teenager, I had no knowledge of that.
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But the good news was that my elder sister refused to get married straight away and I couldn't get married until she did so I had the licence to go off and dream.
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My work is like a dialogue between me and unseen powers, like alchemy.
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Truth implies meaning.
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Hitler had this deal where he was supposed to make it rough on them so they would all get out and migrate to Israel because they needed people there to fight the Arabs.
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I would not know how to advise a man how to write. It is a matter of talent and interest. I believe he must be strongly moved if he is to become a writer.
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To copy Nature? A boy with a camera can do that. To get the spirit of Nature? A woodman or a shepherd can follow the trail of the whistling wind to hoarded sunshine in distant wolds. But to interpret Nature and inform it with a human personality that rises above it, invokes the divine in it, is the work of genius.
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Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare... As if it was the best way to tell the truth about characters or narration, instead of realism.
