Walter Kirn Quotes
Good short-story collections, like good record albums, are almost always hit-and-miss affairs - successful if they include three or four great tracks, wildly successful if they have five. And that's as it should be.

Quotes to Explore
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This is who I am: a flyspeck of human vanity in a trillion miles of stone-dead interstellar space; a graceless lump of flesh and fear in a remote desert where nearly everything that I can see or touch is designed to hurt me.
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The more you work and get known for something, sometimes things begin to narrow a bit, and your opportunities get more... specific.
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I profoundly feel that the art of living is the art of giving. You're fulfilled in the moment of giving, of doing something beyond yourself.
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I found out that there was this project called the 'Great Green Wall' where they wanted to plant trees across the Sahara desert, and the idea was born that I wanted to create a support structure for that initiative.
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I started playing badminton when I was probably of eight years and ever since have been playing. I didn't go to university.
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If I had the use of my body, I would throw it out the window.
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He who would not be idle, let him fall in love.
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If you don't get killed, it's a lucky day for anybody.
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I don't look at myself as suffering.
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One of the things I like best about the Halloween show is that I change outfits about six times in the show. It is a lot of fun to play the different characters.
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Now I feel like whatever I do, no one can hurt me. I cannot be violated, I cannot be humiliated, I cannot be disregarded, I cannot be disrespected.
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Pain is such an important thing in life. I think that as an artist you have to experience suffering.
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Opening doors for us, helping us with our jackets and chairs - we love all that.
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To expect for me to be one-way every time you see me is to expect me to be a one-dimensional man, which I've never been. I've always applauded my efforts to be diverse and multi-faceted.
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It's funny, because I have periods where I just kind of go dark. I don't tweet, I don't talk, I don't interview, and then I have times where I do.
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I live for the text. It's my job.
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A philosopher once said, 'Half of good philosophy is good grammar.'
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My approach to every game was to try to erase the games that were before and try to focus on the game at hand.
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When I'm writing Broadway, it's for a character, a man, a woman, an old guy, a kid. In the band, you're talking in your own voice in the lyrics, saying what you think or feel. On Broadway, you're expressing that through a character.
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My education has allowed me to be more open to ideas which I would not have been had I not been as educated.
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Hello, my sister, Libby, also your daughter, is snogging a potato in my bed. What are you going to do about it?' Dad started yelling uncontrollably. I wonder if he is having the male menopause? If he starts growing breasts, I will definitely be running away with the Circus.
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I think that's what helped us: confidence, respect, the desire to work hard.
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The most important thing for workers to understand is that you have to make yourself indispensable. You must make money for your employer or make his life easier, preferably both. Also, you have to learn as much as you can about your chosen endeavor.
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Good short-story collections, like good record albums, are almost always hit-and-miss affairs - successful if they include three or four great tracks, wildly successful if they have five. And that's as it should be.