Elise Stefanik Quotes
Quotes to Explore
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We as the Afghan people and government are willing to help Pakistan work for peace in Afghanistan and work for peace in Pakistan, together.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I've been lucky enough to work in pop culture, especially with people right before they popped.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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The trick is in what one emphasizes. We either make ourselves miserable, or we make ourselves happy. The amount of work is the same.
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I can't be a hypocrite as a coach because as a player that's what I wanted. I wanted feedback, I wanted communication from the boss. I showed up for work, you can yell at me if you want, but I want input. So that's the kind of coach I want to be.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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My father always said I have a face for radio, and 'Cloverfield' was one of my finest pieces of work.
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I have to grow with my audience.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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I want to work with different people, and I would like to work in different places.
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I focus on projects I am passionate about and only work with people I respect. Without these supportive teams, partners and clients, I could never work on so many things. I am fortunate that they see the value in the multiplicity of my work and how it all comes together in a kind of virtuous cycle.
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Most Muslim women know it is fear and curiosity that cause people to stare. They know it is ignorance and stereotypes that cause people to suppose that a piece of material covering the hair strips a woman of the ability to speak English, pursue a career, work a remote control.
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I have reaffirmed my political will to work towards national unity.
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A man's face is his autobiography. A woman's face is her work of fiction.
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My scientific work is much more practically minded - to change something, to effect something. And the music I do is much more soft power, about changing minds.
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Trump can spend virtually an unlimited amount of his own money on this election, which makes him unlike any of the other candidates in the race. So those who oppose him will have to work very hard to make sure he doesn't win.
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Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
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You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.
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When you work with a major label they create their own message for you and a lot of the time that works great, or at least it did back in the 90's but now it doesn't work, so I think as an artist if you learn your own business, like anybody would when they want to start a little restaurant - they'd figure it out and then build it and they work hard - then it could be your own little business that you grew to as big as you want it to be but you had much more control with how to communicate it and how it's cared for.
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Give us the future..we’ve had enough of your past..give us back our country to live in – grow in..to love.
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I'm sorry, but Juicy Couture tracksuits and Ugg boots don't move me in any way, shape or form. I refuse to wear them. Modern fashion doesn't appeal to me; the 1950s were better in every way, don't you think?
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There seems to be a peculiar kind of clamor for comics. And I'm not sure how much a part of reality that is. I think partly it's based on some idea that comics are what everybody wants to read - and I don't think that's the case.
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Nothing replaces hard work.