Elisha Cuthbert Quotes
I don't ever want to be doing the same sort of thing, I never want to be typecast, because I have way too much to give to be sort of, to always be the hot chick in the movie.
Quotes to Explore
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I was publishing when I was 20, 21. And it really never stopped.
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I think it's more and more important to spend time with your children, because it seems to be harder and harder for them to succeed as their parents have succeeded.
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Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.
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Anti-inflammatories always seemed to work well for my joints, but the problem was you couldn't take them all the time.
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When in Rome, do as you done in Milledgeville.
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From Syria even to Rome I fight with wild beasts, by land and sea, by night and by day, being bound amidst ten leopards, even a company of soldiers, who only grow worse when they are kindly treated.
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As a queen, I speak about unity and respect. I think that is the most important thing.
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I'm free - but I'm also not free because there are millions of young people living in Iran. A filmmaker can only do a little.
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I never really got paid for 'Tell It Like Is,' but I look back at it and say God knew what he was doing; he probably figured that if I had got money back in them days, I wouldn't be here now. That's okay. I'm here. And I'm still singing the song.
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As an author, I had spent years writing my stories on my own in a quiet room. My ideas traveled from my brain to my fingers, executed exactly as I saw fit, never veering from my own intent. TV simply doesn't work that way.
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Being a musician, it's my job to be real and be true to whoever I am. Hopefully that will inspire other people. I hope it inspires people to be themselves and be comfortable in your own skin.
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I don't even want to touch on the topic of black quarterback, because I think this game is bigger than black, white or even green.
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My father is from Jamaica, and as a child I spent many holidays there. I remember the weight and drenching wetness of that hot rain, as I experienced it in my childhood, not only for itself, but for what it represented for me.
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When I'm writing, I'm trying to access my subconscious and turn off my conscious brain. I use my conscious for research, but when I'm actually writing, I'm trying to get into a place where I'm tapping into the deeper, darker elements of what's going on.
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If we're going to talk about our businesses, we're going to have to talk about them within the constraints of the disclosure rules, without giving guidance, because we're not going to give guidance, because we don't believe that it is a sensible game to play.
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Life is much too serious to be taken seriously.
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My mother always told me not to handle a buffalo by its tail, but always catch it by its horns. And I have used that lesson in everything in my life, including the Railways.
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I would do 'John Carter' again tomorrow. I'm very proud of 'John Carter.' Box office doesn't validate me as a person, or as an actor.
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You can't hear me? Read my lips!
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The whole system of society tells you what to do.
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I guess once you've been acting for a long time, you glean the great bits of good directors and the bad bits from other directors, and you know the way that you would like to be directed.
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You can't really think about more than one movie at a time. You're thinking about it consciously, and the subconscious is working too, and if you cram too much into your head, you don't get any ideas in the shower.
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I always find myself gravitating toward stories of transformation, and one of those periods is teenage life. When teenagers are figuring out who they are and have one foot in childhood and the other in adulthood - I think that's a really mythic moment to tell stories about.
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I don't ever want to be doing the same sort of thing, I never want to be typecast, because I have way too much to give to be sort of, to always be the hot chick in the movie.
