Elizabeth Berg Quotes
When I write a book, I don't have an idea of what I'm doing. I just go where it leads.
Quotes to Explore
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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The reforms proposed by the Patent Reform Act of 2007 are precisely the type of congressional action needed. The Act will remove obstacles to growth and restore balance to the patent system.
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There's always the risk that there are unknown unknowns.
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The Supreme Court is not elected, and it is therefore not a proper arbiter of social policy.
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Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness.
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I do no writing while I'm in Belgrade visiting my grandma.
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When I first started out as a young journalist, I know that on at least two occasions, when I walked into a newsroom, I knew I was replacing the black person in that job.
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I admit I do have some drawbacks and limitations as a candidate. Although I am a professional comedian, some of my critics maintain that this is not enough. I cannot deny that I stand before you untested and inexperienced - I only spent two years in television, never as a romantic lead or a song and dance man.
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I've always gone for the more sensitive, bookish guy, totally. The jock boys, the sporty guys, I don't know... they just didn't do it for me.
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I'm not the girl next door.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I didn't understand key signatures or anything, you know. I'd say silly things at the top of a trumpet part like, 'Note, when you play B naturals, make the B naturals a half step lower because they sound funny if they're B naturals.' And some guy said: 'Idiot, just put a flat on the third line and it's a key signature, you know?'
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I'm concerned about my daughter because she will not believe in Santa Claus. No matter what I say to her, she just doesn't buy it, and she's 2. I refuse to give it up. I say, 'There is a Santa Claus,' and she says, 'Okay, Mommy. In pretend world, right?' She really doesn't believe.
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When you're on set, you have to perform and look the part.
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If I don't train enough, of course I'm nervous.
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It's a burden trying to keep a secret. It's hard. It probably takes more out of you trying to hold it and keep it than it does for you to really let it out.
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The latter 1940s and early '50s were a time of tense, explosive conflict, in the world at large and in the politics of our nation.
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Usually, I just don't care what I look like. If it's cold, I'm, like, putting on whatever I have to to be warm.
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The Rolling Stones set the bar to where I look to as a band. But I don't envision myself touring in the way they do. My knees won't hold out.
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A lot of people are focused on climate change as a defining challenge of our time. A lot of people think it is a non-problem, at least in the United States.
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As a technology, the book is like a hammer. That is to say, it is perfect: a tool ideally suited to its task. Hammers can be tweaked and varied but will never go obsolete. Even when builders pound nails by the thousand with pneumatic nail guns, every household needs a hammer.
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I'm usually working either on a picture book and a young adult book, or a middle grade book and a young adult book. When I get bored with one, I move to the other, and then I go back.
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When I write a book, I don't have an idea of what I'm doing. I just go where it leads.
