Elizabeth Cady Stanton Quotes
Quotes to Explore
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I am just an artiste, and I like to explore new avenues.
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It seems to me that the novel is very much alive as a form. Without any question, every epoch has its own forms, and the novel nowadays cannot resemble that of the nineteenth century. In this domain all experiments are justified, and it is better to write something new clumsily than to repeat the old brilliantly. In the nineteenth century, novels dealt with the fate of a person or of a family; this was linked to life in that period. In our time the destinies of people are interwoven. Whether man recognizes it or not, his fate is much more linked to that of many other people than it used to be.
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I had an old band in Scandinavia, the beginning of Mercyful Fate, so it reminds me of my roots as a teenager. We used to play songs like Grinder and all that. It's really like being a teenager again. (Laughs)
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Westerners respect privacy, and they are very competitive in terms of work and personalities. My teammates in China and I can talk about everything. But with my Houston Rockets teammates, even though we're friends, we cannot ask each other about everything.
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The devil hath not, in all his quiver's choice, An arrow for the heart like a sweet voice.
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The book must of necessity be put into a bookcase. And the bookcase must be housed. And the house must be kept. And the library must be dusted, must be arranged, must be catalogued. What a vista of toil, yet not unhappy toil!
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When I was young, my ambitions were very modest. I thought, "If only I could play at the battle of the bands at the Y, that would be the culmination of existence!"
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In my great melancholy, I loved life, for I love my melancholy.
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The accepted versions of the Bible are all substantially correct.
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Music is very helpful, not just for the actors, but the whole crew and myself. It gives you the tone of the scene. Everyone is focused on the tone of the scene when we are shooting, and we are having an emotional reaction to the music immediately.
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The cardinal virtue of all beauty is restraint.
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This Adonis in loveliness was a corpulent man of fifty.
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Everyone has talent at twenty-five. The difficulty is to have it at fifty.
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Shady's great; I love Shady Records.
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The average person works at fifty percent or less of their potential. Your job is to unleash that extra fifty percent.
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I believe that the idea of the totality, the finality of the master-plan, is misguided. One should advocate a gradual transformation of public space, a metamorphic process, without relying on a hypothetical time in the future when everything will be perfect. The mistake of planners and architects is to believe that fifty years from now Alexanderplatz will be perfected. -p.197
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The best years are the forties; after fifty a man begins to deteriorate, but in the forties he is at the maximum of his villainy.
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The sad side of a woman's life. We do as we like and we never realise what damage it is leading to.
