Ursula K. Le Guin Quotes
We need writers who know the difference between the production of a commodity and the practice of an art.
Quotes to Explore
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I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.
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I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
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There was a time when I was practicing law in New York and I wanted to find something else to do. So I ended up leaving the practice of law to pursue my art and it just happened to be out of Lego bricks.
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I practice safe sex - I use an airbag.
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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Thou must be emptied of that wherewith thou art full, that thou mayest be filled with that whereof thou art empty.
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I believe love at first sight is possible. Centuries of literature and art and beauty has been dedicated to that idea, so who am I to argue, even if I've never experienced it?
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I wanted to be an animator originally. I went to art school; I went to art college and everything. But that screen was just calling me.
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We are all quick to point out all the differences but not as willing to accept what bonds us as humans.
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I was always trying - I never wanted to let my fans down; I always wanted them to see me in my art form.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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Art is a mind-game that we do to make our lives easier. If it isn't for that, it becomes superfluous.
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Art is nature speeded up and God slowed down.
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Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find some universal formula for it.
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Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.
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In life and art, there are distinctions to be made between what an act of cruelty consists of.
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The traditional practice is that the justices don't ask the attorney general any questions, so as not to embarrass him. But Bobby Kennedy had let them know that he didn't mind if they asked him questions and they did.
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It's hard to shape glass. It took me years of practice, and as a result, I've never gotten bored with it. It's difficult. Every time I come into the studio, I've got some sort of new challenge. And something that I would like to learn how to do better, and the material never disappoints me.
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In this sense, we should continually be striving to transform every art into a science: in the process, we advance the art.
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There always comes, I think, a sort of peak in suffering at which either you win over your pain or your pain wins over you, according as to whether you can, or cannot, call up that extra ounce of endurance that helps you to break through the circle of yourself and do the hitherto impossible. That extra ounce carries you through 'le dernier quart d' heure.' Psychologist have a name for it, I believe. Christians call it the Grace of God.
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a good woman will pick you aparta box full of suggestions for your possible heartand you may be offended. and you may be afraidbut don't walk away, don't walk away
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Believing in God is as much like falling in love as it is making a decision. Love is both something that happens to you and something you decide upon.
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We need writers who know the difference between the production of a commodity and the practice of an art.
