Ursula K. Le Guin Quotes
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
Quotes to Explore
-
The reasons kids get into trouble in one way or another is because - Who ever told them they were special?
-
I'm not even sure I have a style! All I know for sure is I don't want to look like everyone else.
-
There are no sacred and unsacred places; there are only sacred and desecrated places. My belief is that the world and our life in it are conditional gifts.
-
Food is everything. Food, friends, family: Those are the most important things in life.
-
It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
-
I'm not of the American ilk that, you know, your lover needs to be your best friend and know you inside out. I think he should know you well enough to please you. Otherwise, what secret will there be to tell him when you're ninety?
-
Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
-
I have a theory that there are still parts of our mental worlds that are still based around the age of between five and eight, and we just kind of pretend to be grown-up.
-
You don't drown by falling into water. You only drown if you stay there.
-
Pictures must not be too picturesque.
-
Of all the haunting moments of motherhood, few rank with hearing your own words come out of your daughter's mouth.
-
I'm lucky in some ways in that I really don't need more than five or so hours of sleep.
-
I believe that blues and jazz are the two uniquely American contributions into music.
-
Pro-lifers have long been castigated for bringing private values into the public square. But actually it is the pro-abortion position that is based on merely personal views and values.
-
What becomes a crime deserving capital punishment when the tables are turned is a matter of small moment when the negro woman is the accusing party.
-
It will be thought that I am acting strangely in concerning myself at this day with what appears at first sight and simply a well-known method of fortune-telling.
-
It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
-
How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child.
-
It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
-
Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.
-
I was a student of Stella Adler and then later Lee Strasberg, and they were into sensory work. At its best, acting is not about words - even when the words are important.
-
I think most people's record collections are more interesting than radio generally gives them credit for. You're likely to be as interested in the Grateful Dead as Palestrina. It pisses me off how compartmentalised music is. I used to be in a punk band, you know?
-
This is my life. I don't need a piece of paper to make it a family unit.
-
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
