Ursula K. Le Guin Quotes
As she stumbled forward she cried out in her mind, which was as dark, as shaken as the subterranean vault, 'Forgive me. O my Masters, O unnamed ones, most ancient ones, forgive me, forgive me!'There was no answer. There had never been an answer.
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I've always been proud that my name stands for peace.
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I style my roles mostly with some help from my team of stylists.
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There are times, especially on 'The Five,' where I've lost control for a moment. I always feel bad about it, but those always seem to be the times that people realize, if I'm mad about something, it must really matter.
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Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
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Anything's possible if you've got enough nerve.
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I'm going to go to school. It doesn't matter what the outcome is as long as I did it. I can say I did it.
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To put me through school my morn had to work, so I was a latchkey kid.
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The Gaelic language itself depends very much on ear and rhythm, and when those who are thinking in Gaelic speak in English, they get the same rhythm.
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My father didn't know his last name. My father got his last name from his grandfather, and his grandfather got it from his grandfather who got it from the slavemaster.
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I think American audiences like gangster movies. You know, it's part of the culture.
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As the numbers of native-born Europeans begin to fall, with their anemic fertility rates, will the aging Europeans become more magnanimous toward destitute newcomers who do not speak the national language or assimilate into the national culture but consume its benefits?
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I was born in Jerusalem with a religious background and a rabbi as a father... it was rather poor, but what we did have, we did have books.
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The Dalai Lama can claim the sanction of the Buddha, who is said to have altered his teachings in order to reach a diverse audience.
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I don't particularly like L.A.
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Remember, MTV would only show white videos for a long time. Can you imagine that? That was the '80s when that happened. It's hard to even think of that now, you know?
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It doesn't matter the amount of gore, the amount of shocks that you can have in a movie if the movie's not entertaining, if the story's not entertaining.
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I'm glad that cinema is catching up to what television has known for a while: That three-dimensional, complex women get an audience engaged as much as the men.
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It's interesting: I've been doing this since I was 17, and it's kind of weird to see yourself grow up on television.
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Coming into a game in the eighth or ninth inning is like parachuting behind enemy lines. And sometimes the chute doesn't open. You have to live with that. It's an occupational hazard.
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As crude a weapon as a cave man's club, the chemical barrage has been hurled against the fabric of life.
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The value of a thing sometimes lies not in what one attains with it, but in what one pays for it - what it costs us.
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As we passed over the dark bridge her wan face fell lazily against my coat's shoulder and the formidable stroke of thirty died away with the reassuring pressure of her hand.
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My mind still runs too fast. If we get the wrong fabric or something is stitched the wrong way, I get so angry and so flummoxed that I start spelling my words, just to slow myself down.
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As she stumbled forward she cried out in her mind, which was as dark, as shaken as the subterranean vault, 'Forgive me. O my Masters, O unnamed ones, most ancient ones, forgive me, forgive me!'There was no answer. There had never been an answer.
