Ursula K. Le Guin Quotes
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The reason literacy is important is that literature is the operating instructions. The best manual we have. The most useful guide to the country we're visiting, life.
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The misogyny that shapes every aspect of our civilization is the institutionalized form of male fear and hatred of what they have denied and therefore cannot know, cannot share: that wild country, the being of women.
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From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.
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For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.
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'But you knew them to be evil men-''Was I to join them therefore? To let their acts rule my own? I will not make their choices for them, nor will I let them make mine for me!'
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What you select from, in order to tell your story, is nothing less than everything. What you build up your world from, your local, intelligible rational, coherent world, is nothing less than everything. . . . . All human knowledge is local. Every life, each human life is local, is arbitrary, the infinitesimal momentary glitter of a reflection.
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It’s not a weapon or a woman can make a man, or magery either, or any power, anything but himself.
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When we're done with it, we may find—if it's a good novel—that we're a bit different from what we were before we read it, that we have been changed a little, as if by having meet a new face, crossed a street we've never crossed before.
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The backside of heroism is often rather sad; women and servants know that. They know also that the heroism may be no less real for that. But achievement is smaller than men think. What is large is the sky, the earth, the sea, the soul.
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Is power that-an emptiness?
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Even in merely reading a fairytale, we must let go our daylight convictions and trust ourselves to be guided by dark figures, in silence; and when we come back, it may be very hard to describe where we have been.
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But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and Summoning can shake the balance of the world. It is dangerous, that power...It must follow knowledge, and serve need.
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The word must be heard in silence; there must be darkness to see the stars.
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I think the mystery of art lies in this, that artists’ relationship is essentially with their work — not with power, not with profit, not with themselves, not even with their audience.
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There are very real differences between science fiction and realistic fiction, between horror and fantasy, between romance and mystery. Differences in writing them, in reading them, in criticizing them. Vive les différences! They're what gives each genre its singular flavor and savor, its particular interest for the reader - and the writer.
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'For a word to be spoken,' Ged answered slowly, 'there must be silence. Before, and after.' Then all at once he got up, saying, 'I have no right to speak of these things. The word that was mine to say I said wrong. It is better that I keep still; I will not speak again. Maybe there is no true power but the dark.'
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Young he was not, so that one had to call him old, but the word did not suit him.
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Before the moon I am, what a woman is, a woman of power, a woman's power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon.
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When the genuine myth rises into consciousness, that is always its message. You must change your life.
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If civilization has an opposite, it is war.
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What she needs, at least one thing she needs, is companionship. After all why should she eat? Who needs her to be alive? What we call psychosis is sometimes simply realism. But human beings can't live on realism alone.
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When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
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There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine.
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Virginity is now a mere preamble or waiting room to be got out of as soon as possible; it is without significance. Old age is similarly a waiting room, where you go after life's over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial: the only meaningful condition left to women is that of fruitfulness.