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Indeed, until she had met Lev at school, it had not occurred to her that anyone might prefer to speak a plain fact rather than a lie that sounded well. People said what suited their purposes, when they were serious; and when they weren’t serious, they talked without meaning anything at all.
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When in the Land of Property think like a propertarian. Dress like one, eat like one, act like one, be one.
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The important thing is not the finding, it is the seeking, it is the devotion with which one spins the wheel of prayer and scripture, discovering the truth little by little.
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Her work, I really think her work is finding what her real work is and doing it, her work, her own work, her being human, her being in the world.
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It is only when science asks why, instead of simply describing how, that it becomes more than technology. When it asks why, it discovers Relativity. When it only shows how, it invents the atom bomb, and then puts its hands over its eye and says, My God what have I done?
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'Why are you always so full of answers?''Because life’s so full of questions.'
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If it were proven that there is no God there would be no religion. ...But also if it were proven that there is a God, there would be no religion.
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Ch. 9 (pp. 298-9)
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Existence is its own justification, need is right.
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In the tale, in the telling, we are all one blood. Take the tale in your teeth, then, and bite till the blood runs, hoping it's not poison; and we will all come to the end together, and even to the beginning: living, as we do, in the middle.
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Even in the obscure vast history of a planet the time it takes to make a forest counts. It takes a while. And not every planet can do it; it is no common effect, that tangling of the sun's first cool light in the shadow and complexity of innumberable wind-stirred branches.
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I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving a name and ceasing to love where the name ceases to apply?
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The same old hypocrisy. Life is a fight, and the strongest wins. All civilization does is hide the blood and cover up the hate with pretty words!
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'But you knew them to be evil men-''Was I to join them therefore? To let their acts rule my own? I will not make their choices for them, nor will I let them make mine for me!'
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There are very real differences between science fiction and realistic fiction, between horror and fantasy, between romance and mystery. Differences in writing them, in reading them, in criticizing them. Vive les différences! They're what gives each genre its singular flavor and savor, its particular interest for the reader - and the writer.
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At this point, realism is perhaps the least adequate means of understanding or portraying the incredible realities of our existence.
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Unless physical action reflects psychic action, unless the deeds express the person, I get very bored with adventure stories; often it seems that the more action there is, the less happens.
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What you select from, in order to tell your story, is nothing less than everything. What you build up your world from, your local, intelligible rational, coherent world, is nothing less than everything. . . . . All human knowledge is local. Every life, each human life is local, is arbitrary, the infinitesimal momentary glitter of a reflection.
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When the genuine myth rises into consciousness, that is always its message. You must change your life.
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Even in merely reading a fairytale, we must let go our daylight convictions and trust ourselves to be guided by dark figures, in silence; and when we come back, it may be very hard to describe where we have been.
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The world’s vast and strange, Hara, but no vaster and no stranger than our minds are. Think of that sometimes.
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Almost everything is double like that for adolescents; their lies are true and their truths are lies, and their hearts are broken by the world. They gyre and fall; they see through everything, and are blind.
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To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.
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We need writers who know the difference between the production of a commodity and the practice of an art.