Ursula K. Le Guin Quotes
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I have never heard a dancer asking for advice about how to stay focused on her footwork, or a painter complaining about the dull day-to-day task of painting. What task worth doing isn't worth daily effort? Do you think Michelangelo was having fun the whole time he was on his back painting the Sistine Chapel's ceiling?
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Besides, when you say you're a feminist it annoys the bigots and the old farts and the prissy ladies so much, it's kind of irresistible.
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I don't believe that a writer 'gets' (takes into the head) an 'idea' (some sort of mental object) 'from' somewhere, and then turns it into words, and writes them on paper. At least in my experience, it doesn't work that way. The stuff has to be transformed into oneself, it has to be composted, before it can grow into a story.
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No man, no power, can bind the action of wizardry or still the words of power. For they are the very words of Making, and one who could silence them could unmake the world.
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Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like anything else
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Animals do neither good nor evil. They do as they must do.We may call what they do harmful or useful, but good and evil belong to us, who chose to choose what we do. [. . .] The animals need only be and do.We're yoked, and they're free. So to be with an animal is to know a little freedom.
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In our loss and fear we craved the acts of religion, the ceremonies that allow us to admit our helplessness, our dependence on the great forces we do not understand.
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Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.
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Sometimes I not only stand there and take it, I even smile at them and say I'm sorry. When I feel that smile coming onto my face, I wish I could take my face off and stamp on it.
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If you evade suffering you also evade the chance of joy. Pleasure you may get, or pleasures, but you will not be fulfilled. You will not know what it is to come home.
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If one believes that words are acts, as I do, then one must hold writers responsible for what their words do.
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We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
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Truth is a matter of the imagination. The soundest fact may fail or prevail in the style of its telling: like that singular organic jewel of our seas, which grows brighter as one woman wears it and, worn by another, dulls and goes to dust.
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I use a whole lot of half-assed semicolons; there was one of them just now; that was a semicolon after 'semicolons,' and another one after 'now.
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The use of imaginative fiction is to deepen your understanding of your world, and your fellow men, and your own feelings, and your destiny.
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A man would know the end he goes to, but he cannot know it if he does not turn, and return to his beginning, and hold that beginning in his being. If he would not be a stick whirled and whelmed in the stream, he must be the stream itself, all of it, from its spring to its sinking in the sea.
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The quality of the will to power is, precisely, growth. Achievement is its cancellation. To be, the will to power must increase with each fulfillment, making the fulfillment only a step to a further one. The vaster the power gained the vaster the appetite for more.
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It's probably simply a matter of temperament that I never stopped to wonder if I could "match" what I had done, never choked off my writing by competing with myself, or with anybody else for that matter. My ambition was absolutely centered on the work itself, never on what it would bring me, or "who" it would make me. I never cared about that at all.
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Skill in writing frees you to write what you want to write. It may also show you what you want to write. Craft enables art.
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Much arrogance is necessary equipment for an artist, I think. Not sufficient, but necessary. It carries one across the gaps.
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What the brain does by itself is infinitely more fascinating and complex than any response it can make to chemical stimulation.
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Abstractions about right and wrong, whether they are as old as Thou Shalt Not Kill or as modern as Do Your Own Thing, often serve only to confuse and weaken genuine moral decision.
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You must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act.
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The literature of the emperor penguin is as forbidding, as inaccessible, as the frozen heart of Antarctica itself. Its beauties may be unearthly, but they are not for us.