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Oh, never and forever aren't for mortals, love. But we won't be parted till I know it's right that we part.
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No, I don’t understand him, but he is worth listening to.
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The desire for power feeds off itself, growing as it devours.
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What sane person could live in this world and not be crazy?
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The children of the revolution are always ungrateful, and the revolution must be grateful that it is so.
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All of us have to learn how to invent our lives, make them up, imagine them. We need to be taught these skills; we need guides to show us how. If we don't, our lives get made up for us by other people.
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It is above all by the imagination that we achieve perception and compassion and hope.
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The artist deals in what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.
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Like all power seekers, Pae was amazingly shortsighted. There was a trivial, abortive quality to his mind, it lacked depth, affect, imagination. It was, in fact, a primitive instrument.
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Genre fiction was looked at as a ghetto, but I wonder now if realist fiction, sealing itself off in the glum suburbs of a dysfunctional society, denying the use of imagination, was the ghetto.
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I've got some gift for languages. You follow your gift. But Latin's not easy.
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'A king has soldiers, servants, messengers, lieutenants. He governs through his servants. Where are the servants of this-Anti-king?''In our minds, lad. In our minds. The traitor, the self; the self that cries I want to live; let the world burn so long as I can live! The little traitor soul in us, in the dark, like the worm in the apple.'
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Those who build walls are their own prisoners. I'm going to go fulfill my proper function in the social organism. I'm going to unbuild walls.
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If you want your writing to be taken seriously, don't marry and have kids, and above all, don't die. But if you have to die, commit suicide. They approve of that.
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To know there is a choice is to have to make the choice: change or stay: river or rock.
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Happiness is based on a just discrimination of what is necessary, what is neither necessary nor destructive, and what is destructive. In the middle category, however - that of the unnecessary but undestructive, that of comfort, luxury, exuberance, etc
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I don't write tracts, I write novels. I'm not a preacher, I'm a fiction writer.
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My imagination makes me human and makes me a fool; it gives me all the world, and exiles me from it.
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No society can change the nature of existence. We can't prevent suffering. This pain and that pain, yes, but not Pain. A society can only relieve social suffering, unnecessary suffering. The rest remains. The root, the reality.
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I have become very critical of the whole book award system and could preach on that subject for quite a while, but I do know what an award can mean to a writer early in her career. It can give an essential validation.
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Great artists make the roads; good teachers and good companions can point them out. But there ain't no free rides, baby.
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As a kitten does what all other kittens do, so a child wants to do what other children do, with a wanting that is as powerful as it is mindless. Since we human beings have to learn what we do, we have to start out that way, but human mindfulness begins where that wish to be the same leaves off.
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Writers need to learn their trade, and how to negotiate the increasingly difficult marketplace. The trade can be taught and learned just as the craft can. But a workshop where the trade is the principal focus of interest is not a writing workshop. It is a business class.
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I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived.