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As a kitten does what all other kittens do, so a child wants to do what other children do, with a wanting that is as powerful as it is mindless. Since we human beings have to learn what we do, we have to start out that way, but human mindfulness begins where that wish to be the same leaves off.
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Mede spoke with amused tolerance, as physicists generally speak of biologists.
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It is of the nature of idea to be communicated: written, spoken, done. The idea is like grass. It craves light, likes crowds, thrives on crossbreeding, grows better for being stepped on.
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This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.
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I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived.
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I have become very critical of the whole book award system and could preach on that subject for quite a while, but I do know what an award can mean to a writer early in her career. It can give an essential validation.
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She had always known that all lives are in common, rejoicing in her kinship to the fish in the tanks of her laboratories, seeking the experience of existences outside the human boundary.
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The worst walls are never the ones you find in your way. The worst walls are the ones you put there .
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I do try to separate my personal activism - showing up at a demonstration or something - from what I write.
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A dangerous book will always be in danger from those it threatens with the demand that they question their assumptions. They'd rather hang on to the assumptions and ban the book.
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Dragons are more dangerous, and a good deal commoner, than bears. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a real wilderness, and those who go there should not feel too safe.
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If success in selling is my primary interest, I am not primarily a writer, but a salesperson. If I teach success in selling as the writer's primary objective, I am not teaching writing; I'm teaching, or pretending to teach, the production and marketing of a commodity.
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There are no right answers to wrong questions.
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There is a bird in a poem by T. S. Eliot who says that mankind cannot bear very much reality; but the bird is mistaken. A man can endure the entire weight of the universe for eighty years. It is unreality that he cannot bear.
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The search for pleasure is circular, repetitive, atemporal. The variety seeking of the spectator, the thrill hunter, the sexually promiscuous, always ends in the same place. It has an end. It comes to the end and has to start over. It is not a journey and return, but a closed cycle, a locked room, a cell.
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The game must be played, and played their way, though they made all the rules and had all the skill. His ineptitude did not matter. His honesty did. He was staked now totally on one belief: that an honest man cannot be cheated, that truth, if the game be played through right to the end, will lead to truth.
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He always asked, why thus? why this way, not another way? I answered: Because in what we do daily and in the way we do it, we enact the gods. He said: Then the gods are only what we do. I said: In what we do rightly, the gods are.
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'What harm have the trees done them?' he said. 'Must they punish the grass for their own faults? Men are savages, who would set a land afire because they have a quarrel with other men.'
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The experience was disagreeable. I began to feel like an atheist praying.
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When we’ve agreed that something ought to be done, or not done, we get very stubborn. And when that meets up with another stubbornness, it can make a kind of war, a struggle of ideas, the only kind of war anybody ever wins.
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Favoritism, elitism, leader-worship, they crept back and cropped out everywhere. But she had never hoped to see them eradicated in her lifetime, in one generation; only Time works the great changes.
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I don't teach writing classes anymore, and I'm really glad I don't, because I would feel very strange about telling people, 'Go out there and be a writer, and make a living from it.'
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Morning comes whether you set the alarm or not.
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Light is the left hand of darkness and darkness the right hand of light. Two are one, life and death, lying together like lovers in kemmer, like hands joined together, like the end and the way.