Arthur Rubinstein Quotes
Sometimes when I sit own to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.

Quotes to Explore
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My view is that life is too short. I'm not being melodramatic or anything, but when your mother dies in your arms - just you and her, and it's one o'clock in the morning, and you're waiting for her to exhale - you just think, life's too bloody short to argue about the little things.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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Dinner is often a stew of beans or legumes, which are awesome for dieting; they give you that meaty satisfaction and both are excellent with whole grain rice or bread.
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I think it all comes down to motivation. If you really want to do something, you will work hard for it.
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The confession of evil works is the first beginning of good works.
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You must be independent and able to do for yourself. Then you do not have to marry a rich man; you can marry a poor one. And if it is wrong, you can go.
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We'll always be fascinated by people who live above the law.
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The beauty of a Moroccan riad is undeniable, but even the most die-hard fan may find herself growing a little weary of what can come to feel like a one-size-fits-all aesthetic: tilework, white Berber rugs, woolen tribal throw pillows in reds and ochers, cut-metal lanterns.
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Life is so fast these days, and we're exposed to so much information. Television makes us a witness to such misery.
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Harpists spend 90 percent of their lives tuning their harps and 10 percent playing out of tune.
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To be on the set with the actors, with the location, every day changes; every day something can go wrong.
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I do watch a lot of YouTube.
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It drives me crazy when your parents try to read your mind. It's even worse when they try to read your mail.
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Because art as a pursuit, as a concept, as an ideal, constantly elevates one above the pragmatic, one is inclined to discuss art in heightened terminologies. For me, it is just what I do all day long.
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Nobody knows 100% what affects the human body, mind or spirit.
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I really do not see why there is not a splendid field for good work on the music hall stage, and if I did not have my own theatre taking up my time, I should rather like to go into it.
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I just want my family to be safe. Because I am sometimes polarizing, I fear for their safety.
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I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.'
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All the cunning of the devil is exercised in trying to tear us away from the word.
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I wish I could have come here this afternoon and say we have all the money. I wish I could have come here today and say that the team will be comfortable based on all the money we have received. But sadly enough I can't because we simply do not have the money we need.
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Look here: "Mo' money, mo' problems," my ass.
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You can't take the New York out of the girl. It's like a little country girl coming to the big city.
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If you could literally 'rid' yourself of your problems by voicing them, I'd be all for it. But since that isn't so, why not reserve the spoken word for functional interactions and witticisms, if not declarations of love?
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Sometimes when I sit own to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.