Ashlan Gorse Cousteau Quotes
When I made the switch from strictly entertainment news to more of these natural world documentaries, it's really been all about wanting to make saving the world cool.
Quotes to Explore
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My mom really inspired me. She has always taught me it's not about us, it's about what we can give back.
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We all sit in front of our mics and our scripts lay on music stands. Then the silliness begins!
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I am who I am.
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I can tell you I'm not exactly sure why I teach. I think a lot of it is just it's the sense of community. A real desire to be involved both with people older than myself and people younger.
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There is one thing women can never take away from men. We die sooner.
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I never sell a book. I sell myself. And the way to sell yourself is to be an instrument of love.
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I just sing the songs that people don't expect you to sing, because I just love having fun at karaoke and I'm always a bit nervous to sing something serious.
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I did every job under the sun from bartending to ushering to temping.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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On my show 'One on One', I interview leaders from around the world - in politics, business, art. My other show, 'Her Village', is more like 'The View'.
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Love is like the measles. The older you get it, the worse the attack.
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I'm a serious eater and a seriously hungry person, so I set out on that path to figure it out for myself, and of course it really resonated with other people.
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I was assigned to the heavy cruiser Chicago.
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The people are more important than the food. We want a person to be as successful as he can be, and it works the other way around, too.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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I like hard rock, and classic rock, and even metal.
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I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
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In fact I enjoyed every minute of my life at King's, especially the discovery of French and German literature.
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When you realize that we're the spirit that's in our bodies and our bodies are like the vehicles that take us around, you realize that you have to take care of that body.
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I think the key is that nothing's ever perfect and you've got to be able to go with change. It's a lot easier said then done because I especially like things very structured and I don't like change, but it's part of life; you've got to just deal with it.
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We continue to see more and more of that - games we didn't necessarily know would work in VR until a developer goes in and discovers the game mechanic that makes it come together. Sure enough, hockey can be a great VR experience.
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We tend to lack humility toward love, to patronize it rather than bow before it, to put mundane considerations before the emotional need to hold someone in our arms.
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They came out over the highway and they stopped and that's when Barney got out, with the binoculars to try and identify the craft. I mean, he'd been in the military in World War Two, he's puzzled.
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When I made the switch from strictly entertainment news to more of these natural world documentaries, it's really been all about wanting to make saving the world cool.
