Ashlan Gorse Cousteau Quotes
When I made the switch from strictly entertainment news to more of these natural world documentaries, it's really been all about wanting to make saving the world cool.
Quotes to Explore
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My mom really inspired me. She has always taught me it's not about us, it's about what we can give back.
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We all sit in front of our mics and our scripts lay on music stands. Then the silliness begins!
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We were both in love with him. I fell out of love with him, but he didn't.
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I am who I am.
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I can tell you I'm not exactly sure why I teach. I think a lot of it is just it's the sense of community. A real desire to be involved both with people older than myself and people younger.
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There is one thing women can never take away from men. We die sooner.
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I never sell a book. I sell myself. And the way to sell yourself is to be an instrument of love.
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I just sing the songs that people don't expect you to sing, because I just love having fun at karaoke and I'm always a bit nervous to sing something serious.
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I did every job under the sun from bartending to ushering to temping.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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On my show 'One on One', I interview leaders from around the world - in politics, business, art. My other show, 'Her Village', is more like 'The View'.
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Love is like the measles. The older you get it, the worse the attack.
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I'm a serious eater and a seriously hungry person, so I set out on that path to figure it out for myself, and of course it really resonated with other people.
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I was assigned to the heavy cruiser Chicago.
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The people are more important than the food. We want a person to be as successful as he can be, and it works the other way around, too.
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The war on terror is the most insane and immoral war of all time. The Americans are doing what they did in Vietnam, bombing villages. But how can a civilised nation do this? How can you can eliminate suspects, their wives, their children, their families, their neighbours? How can you justify this?
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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I like hard rock, and classic rock, and even metal.
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I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
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Sometimes my schedule doesn't allow time to go to the hotel after I get off the plane, so I bring my Freebird boots or my old school Adidas shell-toes to throw on after I land.
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Singing is something I've always loved to do, and I'd never considered taking it further than the shower.
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I am sensitive to the fact that other people may have different beliefs.
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Lots of people say to me, 'I completely hate Busted'. That's completely cool with me. I understand why.
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When I made the switch from strictly entertainment news to more of these natural world documentaries, it's really been all about wanting to make saving the world cool.
