Ashton Irwin Quotes
I always wanted to be in a band with a bunch of dudes who loved Green Day and all that.
Quotes to Explore
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I started composting in 1970 by taking my food scraps out behind where I lived and burying them in a hole next to the railroad tracks - and green things started to grow there!
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According to my royalty statements, 'The Green Progression' sold 392 copies in hardcover.
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My favorite book is 'Go Away Big Green Monster.' I wrote it for my granddaughter Adrian, who was in the third grade at the time.
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Don't change a thing. That's one of the best gimmicks a band could ever come up with.
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The guys in my band buy instruments and sell and trade them. But if I have something I hang onto it. Everything is sentimental to me.
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There are all sorts of cries that the leaders of the Green Movement should submit themselves to the supreme leader, but that won't take place. Both sides have to be prepared for a serious negotiation.
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When you tour with a band, you're just out there, and it's just you guys. That's your little universe. If you do a play, it's the same deal. That becomes your world, for the cast and crew.
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There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.
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Sure, we've had our fair share of ups and downs, but I don't know if we've had more than any other rock band... we just have a way of getting ourselves into hot water.
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If it can be profitable to be green, that's just smart business.
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Their eagerness for the big-band music and their ability to grasp the essence of it made me realize that today's generation has not been properly exposed to the big-band sound.
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The first time I went on stage as an adult was touring with the Johnny Cash Show. I'd sang as a child. But my grown-up initiation was as part of that band.
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What you hear about the band is always going to be more disturbing than any particular song.
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Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
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There were so many specific things from high school jazz band that I remembered: the conductor searching out people who were out of tune, or stopping and starting me for hours in front of the band as they watched.
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When I was 16 or 17 I heard the Count Basie band with Jo Jones and Lester Young and Herschel Evans and I couldn't believe it. They were the greatest swing band. I really fell in love with that sound. Everybody danced!
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You put funny people in funny costumes and paint them green and we could talk about anything we wanted to, because that was the only thing that fascinated Gene about this particular genre.
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In the past, I used to counter any such notions by asking myself: 'Would you really want President Hattersley?' I now find that possibility rather cheers me up. With his chubby, Dickensian features and his knowledge of T.H. Green and other harmless leftish political classics, Hattersley might not be such a bad thing after all.
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I learned a lot from playing those late-night, 1-to-4 A.M. gigs with my band, and playing when no one was listening.
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On 'Oz' one day, I got a chunk of a camera embedded in my head, and I was passed out on the floor geysering blood while the set medic stood over me, freaking out. No help whatsoever. I ended up going to the ER and getting nine stitches in my head – real Frankenstein stitches.
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Listen to the late Isaac Hayes covering 'Walk on By' by Burt Bacharach or Mayfield singing The Carpenters' vanilla-seeming 'We've Only Just Begun,' and you realize soul's insistence on transformation: Mayfield in particular makes the song not just about love but the start of revolution.
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I always wanted to be in a band with a bunch of dudes who loved Green Day and all that.
