Margaret Mitchell Quotes
It was hard to believe there was so much money in all this bitter and poverty-stricken world. So much money, so very much money, and someone else had it, someone who took it lightly and didn't need it.
Quotes to Explore
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Who controls the issuance of money controls the government!
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I cannot believe how much love people have shown me.
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Why should people go out and pay money to see bad films when they can stay at home and see bad television for nothing?
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I don't believe in regret.
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I firmly believe, only because I've been doing this for so long, every show takes three years. 90% of them don't get three years. It just does. It takes a long time to build a community, build a friendship with your characters. It's hard for people to grasp on and make them care about you.
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I always did TV commercials and made great money to put myself through school. That became guest starring roles on TV shows.
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I didn't do my work for money or prizes - only for the excitement of discovery.
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Am I a trance medium? No. Have I got a gift psychically? Absolutely not. But I believe in the survival of consciousness after death.
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I'm not looking to set a standard... but, I believe I have offered a challenge to others with my work.
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I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular.
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I do believe in standing for something more than just a product.
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How could you justify giving Holland twice the amount of money that you gave Belgium? Well, finally, I put it up to them. They said that they couldn't do it; it would destroy them. I said they had to do it. And I finally got support from Hoffman on it.
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Resist your fear; fear will never lead to you a positive end. Go for your faith and what you believe.
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Many girls do not go to school because of poverty.
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I made this Swedish movie called 'Snabba Cash,' or 'Easy Money,' and it was shown at the Berlin Film Festival. A lot of American studios, agents, and people like that saw it there and liked it.
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I had a friend who had been teaching music for a long time, and he knew a bunch of teachers, so I just put up the money and started a school.
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You'll see it when you believe it.
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Health care is a design problem. Dependence on foreign oil is a design problem. To some extent, poverty is a design problem. We need design thinkers to solve those problems, and most people who are in positions of political power are not design thinkers, to put it mildly.
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Find your own way, have an open spirit, and believe in your own beauty.
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I take an active role in my imaging and how I look.
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Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground.
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I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'
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This shall hence become my music.
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It was hard to believe there was so much money in all this bitter and poverty-stricken world. So much money, so very much money, and someone else had it, someone who took it lightly and didn't need it.
