Abdolkarim Soroush Quotes
Arresting development, attacking science, and glorifying poverty is not the answer to the vices that attend prosperity.
Quotes to Explore
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I went through a lot in middle school, and you always try so many different looks and try to be so many different people. I finally realized I'm awkward, I'm lanky, and I'm going to embrace it - make fun of myself and just laugh.
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Jamestown changed the world in many ways, but perhaps it shaped our nation most profoundly the day Africans arrived. I can't think of a more relevant place to talk about the issues facing our community today than the place where African culture became American culture.
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Free trade is not based on utility but on justice.
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Every hero becomes a bore at last.
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My readers at that time were still men of letters; but there had to be other people waiting to read my poems.
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Each of our 900 shows so far was different - maybe that's what makes the fans come back to our gigs time and again. And that they're always part of the show. Phish concerts are a communal experience.
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There is no point in pointing fingers because there are three fingers pointing back at you.
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My life has been devoted to the upliftment of the Filipino by reestablishing his identity and dignity.
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Many societal problems concern science, such as the energy crisis, genetic alterations of foods.
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Frequently you have a clash between the more sterile letter of the law and the justice that underlies it, and I think one of the things I've been trying more or less, where it was possible, is to go with the justice rather than the letter of the law.
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Of course I'm naughty. I've always had to compete for attention, you see.
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Finally we are a nation with some conscience. It means alliances are extremely important when they're based on a national interest. We have to have the ability to sustain our presence within those alliances.
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Most people are prisoners, thinking only about the future or living in the past. They are not in the present, and the present is where everything begins.
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I like the idea that you can paint something outdoors, and anyone can see it. It's open to anyone, and people have to deal with it. In the gallery, it's the same 150 people on the San Francisco art scene. There's a dynamic on the street that's definitely more interesting.
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I wish at times I had finished school just to say I had.
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Parents often talk about the younger generation as if they didn't have anything to do with it.
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I remember in high school trying to get home from water-polo practice in time so I could see Happy Days on television when it first came on, because I was so blown away by it. It was just such a cool thing.
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If you're doing a prison show, HBO is the absolute best place in the world to be doing that because you're not going to have to do all that, you know, 'Prison Break' stuff where you can't really behave and speak like people do in a maximum-security prison.
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The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
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I love to interview outrageous people who speak their minds; also, people who have some kind of mystery attached to them.
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The global economy is a doomsday machine that must be stopped and reprogrammed.
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I'd like to do some more classical work if I do some more theatre.
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Dancing and building are the two primary and essential arts. The art of dancing stands at the source of all the arts that expressthemselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite. Music, acting, poetry proceed in the one mighty stream; sculpture, painting, all the arts of design, in the other. There is no primary art outside these two arts, for their origin is far earlier than man himself; and dancing came first.
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Arresting development, attacking science, and glorifying poverty is not the answer to the vices that attend prosperity.
