Navid Negahban Quotes
I grew up on Harold Lloyd, Charles Chaplin, and Buster Keaton, and those were the ones who inspired me.
Quotes to Explore
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My father was 40 when he had me, so he was more a grandparent than a parent.
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About the most exciting thing a baby can do is burp - I've spent hours of my life holding a baby on my shoulder and patting its back, trying to loosen up a burp. Burping was probably invented to give the father something positive to do, since our chests are not equipped to allow us to do much else.
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I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
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I have to be able to rap. I don't have the look. I don't have the typical slim-dude, fancy-clothes look. That's not me. I have to be able to rap - there is no other choice, or else I get eaten alive.
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The records that I grew up listening to had feel, and the drummers that inspired me - like Stewart Copeland, Neil Peart, Phil Collins and Roger Taylor - all had their own voice and individual style.
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
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Since my father was a superstar, without me knowing it, I became a child star, as my father's entire fan base liked me, and I can't thank my father enough for this, as it was so effortless.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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If you tell me I can't eat something, I'll obsess over it and end up overeating!
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The great aim of your life should be to keep your powers up to the highest possible standard, to so conserve your energies, guard your health, that you can make every occasion a great occasion.
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I wanted to bring people together, and most importantly not feel threatened when they came to watch me box.
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Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.
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New York grabbed me too hard, as did adulthood.
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I put myself out there; it's part of my job, and I get it: people will attack me. At first I was thrown off, but now I have a pretty thick skin about it.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me.
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The laws of God, the laws of man he may keep that will and can; not I: let God and man decree laws for themselves and not for me.
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They're not willing to admit that I've also shed blood and tears and often paid dearly for my success. This makes me feel extremely sad.
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The only time a friend has ever helped me in the industry was how I got my first job - that was through Mike Figgis.
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I was pleasantly disappointed on entering Bohemia. Instead of a dull, uninteresting country, as I expected, it is a land full of the most lovely scenery. There is every thing which can gratify the eye - high blue mountains, valleys of the sweetest pastoral look and romantic old ruins.
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When I have the urge to get back to coaching, I lie down and wait until it passes.
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Every single line, every single thing has to be fought over. There's kind of like an intrinsic doubt from absolutely everyone in my crew, my producer, everyone. It's not just the film industry - it's a worldwide thing. It's the culture of the world to doubt women.
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I have teenagers, so I listen to a lot of music. They turn me on to great music.
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I grew up on Harold Lloyd, Charles Chaplin, and Buster Keaton, and those were the ones who inspired me.
