Aubrey de Grey Quotes
I'm the chief science officer of a foundation that works on the application of regenerative medicine to the problem of aging.

Quotes to Explore
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I might get drunk one day and fall in love or fall over a hooker outside, and I would have consummated a relationship that I couldn't necessarily believe in.
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People go to extraordinary lengths to get films made.
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I started acting when I was 5 years old. And I was pretty well known for a while. Your self-esteem and your identity start to become wrapped up in that celebrity, and when that starts to fade away, your self-esteem and your identity start to fade away with it.
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The taps with the bat on the spikes are one for my grandmother, one for my grandfather, one for my little sister. Then the one on the helmet is showing faith in God that I can do it.
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You can't live your life through your children.
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I am no longer concerned with sensation and innovation, but with the perfection of my style.
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Could we see when and where we are to meet again, we would be more tender when we bid our friends goodbye.
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I hate to see people frustrated or leave a company for an opportunity they could easily have had at their current company if they had only asked.
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As soon as I start reading, drawing comes to me more easily. I find I work in my sketchbooks more. But if I'm working on a new show, my reading completely stops except when I'm on a plane. I take a stack of New Yorkers with me. I feel awful about those stacks of New Yorkers.
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Now there are certain things you have to prepare - like dialect and special skills. But in the moment, interaction between two characters on the page doesn't need - for me, I don't need to prepare that.
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If you never give up, you'll be successful.
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You're miserable, edgy and tired. You're in the perfect mood for journalism.
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I don't really get stuck in a time warp where, if my film is a success, I have to keep partying till the next one releases, or if my film is a flop, I keep wallowing in sorrow until the next comes my way. My hard work in each film is always there.
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I realize that I'm a mature woman and one of these days, incredible diet or not, I'll be a little old lady.
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I love music. I think it's a higher art form, in a way, than movies. You know, a film you see once, maybe twice. A song will follow you forever. It's a magical thing.
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All writers have a love-hate relationship with writing. Performing is fun, too, but I wouldn't say it's my favorite. But the most fulfilling is producing.
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I force myself to outline, but not too closely, so I guess I plot by the seat of my pants? My natural instinct is to dive right in, but I know I'll get stuck. I like to stick with the architect vs. gardener metaphor. I guess I'm a gardener who plants tomatoes. I have the sticks in the ground and let the vines grow along those parameters.
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In revolt against this new and very evil thing came the republicanism of the eighteenth century, inspired and directed in large measure by members of the fast perishing aristocracy of race, character and tradition.
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So Rita and I decided that the most subversive, revolutionary thing I could do was to show up for my life and not be ashamed.
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During the slow recovery after the Great Recession, inflation was very low, and it took us a while to get it back moving up.
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It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
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I've always been a big fan of science fiction and of the worlds of the spiritual and the mystic.
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I'm the chief science officer of a foundation that works on the application of regenerative medicine to the problem of aging.