August Wilson Quotes
In 1980 I sent a play, 'Jitney,' to the Playwrights' Center in Minneapolis, won a Jerome Fellowship, and found myself sitting in a room with sixteen playwrights. I remember looking around and thinking that since I was sitting there, I must be a playwright, too.
Quotes to Explore
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Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
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I sort of write onstage. I'll throw an idea out there, like Home Depot, and just start talking about it.
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You know, I think I still have a sense that no matter what you do, no matter what you achieve, no matter how much success you have, no matter how much money you have, relationships are important.
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Dancing is the last sport with no sponsor.
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Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
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Fear and its accompanying emotional reactions have become part of the public mindset. Such reactions, while often legitimate, are also being exploited with increasing frequency for political ends.
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People want to help me. They want the best for me. I always say thank you to people when they try that. I never get mad.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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People employed in financial institutions are rarely interesting and even more rarely likable.
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One time I got dressed in all black, Rambo-style, and took a massive pair of bolt-cutters and nicked a military bike.
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Ages when custom is unsettled are necessarily ages of prophecy. The moralist cannot teach what is revealed; he must reveal what can be taught. He has to seek insight rather than to preach.
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I don't spend on expensive brands. I don't need foreign holidays.
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They have all different names for music. I think the music I'm going to change the style with is going to be really, really big-years and years after I'm gone.
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In theory, I work an eight-hour day and a five-day week which means I can socialise with my pals who mostly have normal jobs like teaching and computer programming.
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I always put on M.A.C. Prep and Primer before anything.
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If it's not 100 per cent pure maple syrup, it can't be called 'pure maple syrup.'
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I'm often asked if I regret not going to Hollywood. I'm glad I didn't go, because if I had I wouldn't have my extended family, which is the fabric of my life. Only recently have I realised how special and unusual it is.
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Tanning is tricky, because a lot of people just look orange.
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What I love is getting polarized opinions.
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I think I have a reputation for being really serious. In interviews I use big words, but I'm just an emotional goofball. I play practical jokes all the time.
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Let us remember that all reforms are interdependent, and that whatever is done to establish one principle on a solid base, strengthens all.
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In 1980 I sent a play, 'Jitney,' to the Playwrights' Center in Minneapolis, won a Jerome Fellowship, and found myself sitting in a room with sixteen playwrights. I remember looking around and thinking that since I was sitting there, I must be a playwright, too.
