Auguste Renoir Quotes
About 1883 something like a break occurred in my work. I had reached the end of 'impressionism,' and I had come to realize that I did not know how to paint or draw.
Quotes to Explore
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I'm just a black hole for stuff. No one should ever hand me anything, because I get so easily distracted. I'll be like, 'Oh, look, something shiny!' I'm glad I never learned how to drive. I would be really dangerous.
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All genius is a conquering of chaos and mystery.
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The pace of television is very different from film.
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Sometimes there's a snobbery among literary types that these people don't really get it, but in a lot of ways they get it more than the literati. There's a culture in the background that they understand and know. They get that deeper level.
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The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.
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Dear God! how beauty varies in nature and art. In a woman the flesh must be like marble; in a statue the marble must be like flesh.
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I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
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I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.
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It is wonderful to say that your days behind a school desk are over. It's just another phase in your life.
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I do think one should have clean feet.
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My style is schizophrenic! One minute I'll be wearing bright girly dresses, and the next I'll be swinging towards more structured masculine things.
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Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.
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Accept it or not, every star, actor, and director wants to work on larger-than-life films.
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I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
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With all of their benefits, and there are many, one of the things I regret about e-books is that they have taken away the necessity of trawling foreign bookshops or the shelves of holiday houses to find something to read. I've come across gems and stinkers that way, and both can be fun.
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I went to my mum at about seven or eight and said I want to start acting, but the week before, I had said I wanted to do ballet. She said if I took acting classes for a full year, she would look further into it, and that's how it started.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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Horses and horsepower alike are about status and being cool.
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We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.
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In my early 20s, I didn't even know what the Groundlings was. I had no idea. But I know how to break down a script and work on the character.
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Mars, we know, was once wet and warm. Was it home to life? And what can living and learning to work on its rust-colored surface teach us about the future of our own planet, Earth? Answering those mysteries may hold the key to our future.
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Every man is the son of his own works.
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About 1883 something like a break occurred in my work. I had reached the end of 'impressionism,' and I had come to realize that I did not know how to paint or draw.
