Auguste Renoir Quotes
About 1883 something like a break occurred in my work. I had reached the end of 'impressionism,' and I had come to realize that I did not know how to paint or draw.
Quotes to Explore
-
I'm just a black hole for stuff. No one should ever hand me anything, because I get so easily distracted. I'll be like, 'Oh, look, something shiny!' I'm glad I never learned how to drive. I would be really dangerous.
Florence Welch Florence and the Machine
-
All genius is a conquering of chaos and mystery.
Otto Weininger
-
The pace of television is very different from film.
Octavia Spencer
-
Sometimes there's a snobbery among literary types that these people don't really get it, but in a lot of ways they get it more than the literati. There's a culture in the background that they understand and know. They get that deeper level.
Irvine Welsh
-
The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.
Salvador Dali
-
Dear God! how beauty varies in nature and art. In a woman the flesh must be like marble; in a statue the marble must be like flesh.
Victor Hugo
-
I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
Tamsin Greig
-
I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.
Harbhajan Singh
-
It is wonderful to say that your days behind a school desk are over. It's just another phase in your life.
Natalie du Toit
-
I do think one should have clean feet.
Manolo Blahnik
-
My style is schizophrenic! One minute I'll be wearing bright girly dresses, and the next I'll be swinging towards more structured masculine things.
Tamsin Egerton
-
Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.
Kate Forsyth
-
Accept it or not, every star, actor, and director wants to work on larger-than-life films.
Ram Charan
-
I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
Mal Peet
-
With all of their benefits, and there are many, one of the things I regret about e-books is that they have taken away the necessity of trawling foreign bookshops or the shelves of holiday houses to find something to read. I've come across gems and stinkers that way, and both can be fun.
Joanne Rowling
-
I went to my mum at about seven or eight and said I want to start acting, but the week before, I had said I wanted to do ballet. She said if I took acting classes for a full year, she would look further into it, and that's how it started.
Hailee Steinfeld
-
I'm not the kind of actress that goes home with the character. I mean, you're thinking about the work or the next day's scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.
Natasha Richardson
-
My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
Okky Madasari
-
Your chances of dying a violent death are 1/500th of what they used to be during medieval times.
Peter Diamandis
-
The one thing I've always done as an author is talk to my publicists. Because they have all the best stories - and they have all the dirt on other, more famous and important writers. They're not supposed to talk about it, but sometimes you can get awesome little tidbits from them.
Lynn Coady
-
I come from a family of working professionals: my dad is a chartered accountant, and my mom is a professor.
Kriti Sanon
-
I don’t get angry, I don’t want to use harsh words. They are our colleagues and we have to work with them. But they also have to learn to work with us.
Manmohan Singh
-
I don't care who's No. 1 on the call sheet or how big my trailer is. I care about the work. I don't care who gets the laughs. I just care that the laugh comes.
Mark Harmon
-
About 1883 something like a break occurred in my work. I had reached the end of 'impressionism,' and I had come to realize that I did not know how to paint or draw.
Auguste Renoir