Auli'i Cravalho Quotes
When I sing, it's different from when I speak in a very interesting way. I think that, when you're singing, a message is carried in a different way. I don't know if that emotion needs a melody.
Quotes to Explore
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No one can occupy your generosity except you. Who can occupy your patience when impatience roars through you? Who except you can choose not to act with judgment when all of your thoughts are judgmental? Your life is yours to live, no matter how you choose to live it. When you do not think about how you intend to live it, it lives you.
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I was the kid who never won the races. I never jumped the highest. I wasn't on the list of the high-achieving.
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I remember my mother taking me as a very little kid to the roof of our home in Phnom Penh, Cambodia, to look at the bombs exploding in the distance. She didn't want us to be scared by the booms and the strange flashes of light. It was her way of helping us to understand what was happening.
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When you're told to go brief a United States senator on a covert operation, you go do it. And you trust the information isn't going to leak.
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My father had a flourishing business as a publisher in North India.
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Breitbart media is named after the same gentleman who basically framed Shirley Sherrod during the Obama administration.
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I want to have a long career.
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To anybody who says to me, 'I'm in character,' I say, 'You should be in an asylum.' If you don't know that you're pretending, then you should really seek medical help. I don't have patience for that stuff.
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Regardless of some disagreements in the past with Dr. Kissinger, I personally had a very good relationship with the secretary when I served as ambassador to the United States and later on as premier.
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It's amazing how a competitive nature can turn a negative into something positive.
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When I started in California, people would say, 'Enterprise who?'
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I want to promote the introduction of art history in primary schools and to convince the general public that, even in a period of economic crisis, arts funding is an absolute necessity at the federal, state, and local levels.
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We all have very personal relationships to what happened on 9/11 and the events after tracking Osama bin Laden. Nobody can escape from the influence of that.
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Their practice habits are terrific. I've been around some really good guys from different teams in terms of bringing it to practice. When I was in San Francisco, Bryant Young was that way. Every practice on it.
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I don't think in terms of legacy or that kind of stuff. I've always thought that'll take care of itself if I did everything right on a day-to-day basis.
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At 86, I can easily look back to the last eight decades. Though memory often fails me now, so many images of the past are still clearly polished, and I can yet recall not just an abiding sense of place, but the keen smells, the sensory responses to the events of that past.
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My acting coach makes the impossible accessible.
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It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
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I collect handkerchiefs. I know that's sort of old-timey, but my mom started the collection for me, and now I have a bunch. Basically, I have a myriad of beautiful handkerchiefs, and I carry them like a grandmother in my purse. And I opt for hankies in any situation.
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I don't know anyone who's 100 percent pure - nor do I have any interest in portraying anyone like that.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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Notice the difference between what happens when a man says to himself, I have failed three times, and what happens when he says, I am a failure.
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I don't want to do 'Hamlet.' I don't want to do Robert Redford roles or Mel Gibson roles or Kevin Costner roles, because I'm not going to be good at them.
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When I sing, it's different from when I speak in a very interesting way. I think that, when you're singing, a message is carried in a different way. I don't know if that emotion needs a melody.
