Marge Piercy Quotes
The mind wraps itself around a poem. It is almost sensual, particularly if you work on a computer. You can turn the poem round and about and upside down, dancing with it a kind of bolero of two snakes twisting and coiling, until the poem has found its right and proper shape.
Quotes to Explore
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For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.
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I love surfing more than cricket, more interesting and you meet great people.
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I've failed those I care most about and let down the people who elected me to represent them.
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I see myself as a story teller.
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I would definitely like to start a family because it's the most important thing in the world and what you should take care of, along with your friends and the people you love.
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When I'm making music, I can hear all the parts, all the instruments. I can hear what it should be.
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My role models are people who can do things; I say to myself, 'I wish I could do that.'
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We didn't want our kids raised in a place plagued by smog and plastic surgery.
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And I'm not an actress. I don't think I am an actress. I think I've created a brand and a business.
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I studied the lives of jazz singers who would tour Europe, and... what I learned was life was big ride for them. They'd seen the dark side of humanity... but touring the world playing jazz, it was a truly carefree way of living. A great escapism, if you like.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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All working parents should have paid family leave. That's one of many reasons I'm working to elect Hillary Clinton. She has a plan to guarantee workers - men and women - up to 12 weeks of paid family leave to care for a new child or a seriously ill family member.
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In the world of language, or in other words in the world of art and liberal education, religion necessarily appears as mythology or as Bible.
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Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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In my early 20s, I didn't even know what the Groundlings was. I had no idea. But I know how to break down a script and work on the character.
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When I was 18, I couldn't wait to move away. I was like: 'If I ever have to come back here, I'll kill myself.' Glasgow seemed like failure and death to me back then, but not any more.
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Conviction without experience makes for harshness.
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I pretty much make time for that weekly manicure.
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Long before we understand ourselves through the process of self-examination, we understand ourselves in a self-evident way in the family, society and state in which we live.
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We are not all connected. We are bags of skin. We are all separate bags of thinking skin.
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I'm spending a lot of time in the Palazzo and in the museums. I'm printing [pictures that I take] and making a binder with a mix of internet research and palazzo research that I'm planning to use for the upcoming works.
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It was an amazing experience to work with Michael Jackson, who is a legend.
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The mind wraps itself around a poem. It is almost sensual, particularly if you work on a computer. You can turn the poem round and about and upside down, dancing with it a kind of bolero of two snakes twisting and coiling, until the poem has found its right and proper shape.
