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Writing is a futile attempt to preserve what disappears moment by moment.
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Grandmother Hannah comes to me at Pesach and when I am lighting the sabbath candles. The sweet wine in the cup has her breath.... a little winter no spring can melt.
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In fiction, I exercise my nosiness. I am as curious as my cats, and indeed that has led to trouble often enough and used up several of my nine lives. I am an avid listener. I am fascinated by other people's lives, the choices they make and how that works out through time, what they have done and left undone, what they tell me and what they keep secret and silent, what they lie about and what they confess, what they are proud of and what shames them, what they hope for and what they fear. The source of my fiction is the desire to understand people and their choices through time.
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Purple as tulips in May, mauve into lush velvet, purple as the stain blackberries leave on the lips, on the hands, the purple of ripe grapes sunlit and warm as flesh....
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We seek not rest but transformation. We are dancing through each other as doorways.
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I mourn in grey, grey as the sleeted wind the bled shades of twilight, gunmetal, battleships, industrial paint.
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Your anger was a climate I inhabited like a desert in a dry frigid weather of high thin air and ivory sun, sand dunes the wind lifted into stinging clouds that blinded and choked me where the only ice was in the blood.
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Every poet has a certain amount of "stuff." That's what you draw from for imagery. The more stuff you know well, not simply intellectually but sensually, emotionally, intimately, the wider the pool from which you draw.
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Long hair is considered bohemian, which may be why I grew it, but I keep it long because I love the way it feels, part cloak, part fan, part mane, part security blanket.
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A new idea is rarely born like Venus attended by graces. More commonly it's modeled of baling wire and acne. More commonly it wheezes and tips over.
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Troubles cured you salty as a country ham, smoky to the taste, thick-skinned and tender inside.
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Burning dinner is not incompetence but war.
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I don't find that writing about parts of my life had much effect except in some cases to improve my memory. To get into parts of the past I want to recall very vividly, I use a form of directed meditation.
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If I observe my cats carefully, it is partly because I observe everyone I deal with as carefully as I can and partly because they amuse and entertain me. They are an important part of the fabric of my daily life.
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The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident.
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The pitcher cries for water to carry and a person for work that is real.
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Whatever is not an energy source, is an energy sink.
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We admire predators - panthers, lions, tigers, even wolves. Maybe to be naturally thoughtful and hesitant to use violence is to be somehow second rate. To be in the middle of the social food chain. Especially if you're a man. This society thinks real men are violent.
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All women are misfits. We do not fit into this world without amputations.
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Shared laughter is erotic too.
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The work of the world is common as mud.
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Art is a game only if you playat it, a mirror that reflects from the inside out.
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There are obviously a great many ways to organize some fraction of the material in a life.
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I think that if you use something from you life in fiction, it metamorphosizes into something strange and different. Afterward it is hard to tell what actually was part of your life and what is part of the story of the fictional character.